ROME Works : Allegory of Justice, The Five Senses, St. Joseph in a Dream advised by the Angel to Flee, Male Bust Por- trait, Museum, Ghent ; Descent from the Cross, Cathedral, ib.; Christ as Pilgrim received by St. Augustin (1636), Card Players (ascribed to Va- lentin), Museum, Antwerp ; Mystical Mar- riage of St. Catharine (1634), St. James', ib.; do. (1636), St. Martin's, Yperen ; Martyrdom of St. Rumbold, Finding of St. Rumbold's Body, Beguin Convent, Mechlin ; Peter's Denial, Lille Museum ; Ecce Homo, Mater Dolorosa, Hospital of St. John, Bruges ; Card Players, The Charlatan, Madrid Muse- um ; Irene drawing the Arrows from St. Se- bastian's Wounds, Carisruhe Gallery ; Male Portrait, Stadel Gallery, Frankfort ; Com- pany of Singers, Old Pinakothek, Munich ; Card Players, Kitchen Interior, Hermitage, St. Petersburg ; St. John Preaching, Historical Society, New York. Cat. du Mus. d'Anvers, 288; Ch. Blanc, cole flamande ; Immerzeel, iii. 24 ; Kugler (Crowe), ii. 294 ; Kramm, v. 1384 ; Michiels, ix. 351; Rooses (Reber), 340; Van den Branden, 885. ROME : ARCH OF TITUS, Joseph M. W. Turner, National Gallery, London ; can- vas, H. 4 ft. 2 in. x 7 ft. 5 in. View, from near the Coliseum, of the Roman Forum, with the Arch of Titus at left and ruins of Basilica of Constautine at right. Painted about 1820. Engraved by E. Challis in Turner Gallery. ROME FROM THE VATICAN, Joseph M. W. Turner, National Gallery, London ; canvas, H. 5 ft. 9 in. x 10 ft. 11 in. A gen- eral view of Rome, seen from the Loggia of THLODOoh 1OnBOVTS the Vatican, which was decorated by Raph- ael and his assistants ; but, instead of them, Turner has represented Raphael and the Fornarina in the foreground, with which he has taken many liberties. Royal Academy, 1820. Engraved by A. Willinore in Turner Gallery. ROMEO AND JULIET, Eugene Dela- croix, Mme. Gabriel Delessert, Paris ; can- vas, H. 2 ft. x 1 ft. 7 in. ; signed, dated 1845. Parting of Romeo and Juliet on the balcony, in moonlight. The two, seen full length, are embracing. Salon, 1846 ; Ex- position universelle, 1855. Study, sepia drawing, Riesener sale. Chesneau, (Euvre de Delacroix, 243 ; Larousse, xiii. 1358. By Eugene Delacroix, Montpellier Mu- seum ; canvas, H. 10 in. X 8 in. Scene in the tomb ; figures full length, Romeo with Juliet in his arms. Painted in 1851 ; Ex- position universelle, 1855. Lithograph by Eugene Le Roux. Chesneau, CEuvre de Delacroix, 316. Subject treated Also by Charles Franjois Jalabert (Salon, 1857) ; Hermann Gold- schmidt (Salon, 1857) ; James Bertrand (Salon, 1874) ; Germann von Bohn, Nan- cy Museum ; Friedrich August Bouterwek (1836) ; Ferdinand Alexander Bruckmann ; Hans Makart ; Frank Dicksee (1884). ROMEYN, WILLEM, born in Haarlem about 1624, died after 1693. Dutch school ; landscape and animal painter, pupil of Ber- chem in 1642. Master of Haarlem guild in 1646. He possessed pure feeling for nature, taste for picturesque arrangement, and drew welL His landscapes, with animals and herdsmen, show the strong influence of Du Jardin. Works : Landscapes with Sheep or Cattle, and Figures in the Louvre, in Museums of Amsterdam (5), Berlin, Dres- den, New York ; Galleries of Copenhagen and Frankfort ; Old Pinakothek, Munich , (3, one dated 1665); Liechtenstein (2) and Czernin (2) Galleries, Vienna ; Hermitage, St. Peters- burg (3). Kugler (Crowe), ii. 451 ; Ch.
