Page:Cyclopedia of illustrations for public speakers, containing facts, incidents, stories, experiences, anecdotes, selections, etc., for illustrative purposes, with cross-references; (IA cyclopediaofillu00scotrich).pdf/259

From Wikisource
Jump to navigation Jump to search
This page needs to be proofread.

case, the allegation being that the will was a forgery. The subscribing witnesses swore that the will had been signed by the deceased "while life was in him"—a mode of expression derived from the Irish language, and which peasants who have ceased to speak Irish still retain. The evidence was strong in favor of the will, when O'Connell was struck by the persistency of the man, who always repeated the same words, "The life was in him." O'Connell asked: "On the virtue of your oath, was he alive?" "By the virtue of my oath, the life was in him." "Now I call upon you in the presence of your Maker, who will one day pass sentence on you for this evidence, I solemnly ask—and answer me at your peril—was there not a live fly in the dead man's mouth when his hand was placed on the will?" The witness was taken aback at this question; he trembled, turned pale, and faltered out an abject confession that the counselor was right; a fly had been introduced into the mouth of the dead man, to allow the witnesses to swear that "life was in him." (Text.)—Croake James, "Curiosities of Law and Lawyers."


(1053)


Falsehood from Kindness—See Kindness Violating Truth.



False Safety—See Death, Christian Attitude Toward.


FALSITY, INNER


It takes the greatest cunning and a life of practical study to know how long, how thick, and exactly where the sound-bar should be in each instrument. The health and morale of many an old violin has been impaired by its nervous system being ignorantly tampered with. Every old violin, with the exception of the "Pucelle," has had its sound-*bar replaced, or it would never have endured the increased tightness of strings brought in with our modern pitch. Many good forgeries have thus been exposed, for in taking the reputed Stradivarius to pieces, the rough, clumsy work inside, contrasting with the exquisite finish of the old masters, betrays at once the coarseness of a body that never really held the soul of a Cremona. (Text.)—H. R. Haweis, "My Musical Memories.


(1054)


FAME


Fame is the sound which the stream of high thoughts, carried down to future ages, makes as it flows; deep, distant, murmuring evermore like the waters of the mighty ocean. He who has ears truly touched to this music is, in a manner, deaf to the voice of popularity.—William Hazlitt.


(1055)

The following anecdote of Björnson, the Norwegian poet, illustrates the peculiar turn that seized a mischievous delegation:


Björnson was once asked on what occasion he got the greatest pleasure from his fame as a poet. His answer was:

"It was when a delegation from the Right came to my house in Christiania and smashed all the windows. Because, when they had thus attacked me and were starting for home again, they felt that they ought to sing something, and so they began to sing, 'Yes, we love this land of ours.' They could do nothing else! They had to sing the song of the man they had attacked."


(1056)


FAME AND TIME

The crowning glory of the popular Japanese school was Hokusai, "The old man mad about painting," who wrote of himself, in a preface to his "Hundred Views of Fuji":


At seventy-five I have learned a little about the real structure of nature—of animals, plants and trees, birds, fishes and insects. In consequence, when I am eighty, I shall have made still more progress. At ninety I shall penetrate the mystery of things; at a hundred I shall certainly have reached a marvelous stage, and when I am a hundred and ten, everything I do—be it but a line or dot—will be alive. I beg those who live as long as I do to see if I do not keep my word.


Hokusai died in 1849, at the age. of eighty-nine, his work revealing a continual increase in power to the last. Of his work, Mrs. Amsden writes:


His fecundity was marvelous. He illustrated books of all kinds, poetry, comic albums, accounts of travels—in fact, his works are an encyclopedia of Japanese life. His paintings are scattered, and countless numbers lost, many being merely ephemeral drawings, thrown off for the passing pleasure of the populace.


On his death-bed Hokusai murmured, "If heaven had but granted me five more years I could have been a re-