Page:Cyclopedia of illustrations for public speakers, containing facts, incidents, stories, experiences, anecdotes, selections, etc., for illustrative purposes, with cross-references; (IA cyclopediaofillu00scotrich).pdf/52

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getting up on her feet or walking. The child seemed perfectly well, and her parents had become very anxious about her. Inquiry revealed the fact that when she was nine months old the little girl had been injured by a fall, and had been kept very closely confined for six months; at first in her crib, and later in a high chair, never being allowed to stand on her feet. When she was at last put upon the floor, she began her creeping just as she had been in the habit of doing six months before. Nor did she show any disposition to do otherwise than creep, even after her strength had been fully recovered. It required several months of careful attention on the part of the parents, in exercising her in standing and walking, to awaken any interest whatsoever in these activities. This law of atrophy through disuse undoubtedly operates throughout the entire range of human interests, not only in those interests more closely related to organic life, but also in the intellectual, moral, and religious interests. It is manifestly of great concern to parents and others who have the care of children that all normal interests be given a chance to function at the right time and in the right way. (Text.)


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ATTACHMENT REWARDED


In order to secure some token by which to remember a great-aunt to whom she had been much attached, Mlle. Bertha Chevanne, a young French woman, of Paris, attended a sale of the old lady's effects. The girl was poor and most of the articles were beyond her purse. A shabby old book—a book of devotions—was, however, put up. Nobody bid for it except Mademoiselle Chevanne, and she bought it for next to nothing. In turning over the leaves she came across a folded paper. It was a will bequeathing her the whole of her great-aunt's estate, valued at $80,000.


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ATTACK, DISCRETION IN

As with a fortress, so with many fortified evils. It is often better to flank them than to exhaust strength by direct attack.


To let a fortress go, so far from being disgraceful, is often one of the best things a general can do. If MacMahon had let Metz go, the Germans could not have got round Paris without tremendous losses and months of fighting. If Lee had abandoned Richmond in 1862 the war might have been protracted indefinitely. The greatest mistake Osman Pasha made in 1877 was holding on to Plevna too long. Napoleon let Genoa go in spite of the fine defense of Massena, but he soon recovered it after he had defeated the Austrians in the field. In the American civil war Burnside was compelled by the press to advance, with the result of the failure at Fredericksburg and the loss of 12,000 men. A field army should never be risked for a fortress.—Dr. Miller Maguire, London News.


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See Aggression; Saloon, Fighting the.



Attainment by Abandonment—See Higher, The.


ATTAINMENT, SUPERFICIAL

There are men who attempt to rise in the social scale without any apparent fitness for the larger place aspired to. Many start off on a course, but lack ability, patience and pluck to persevere and so fail of their goal, as the following somewhat humorous illustration suggests:


Attorney William S. Barnes, of San Francisco, has a new office boy. The last boy with whom he was associated resigned a few days ago because the law business did not suit his peculiar temperament.

"How long have you been here?" asked Barnes, when the small boy made known his intention to engage in a different vocation.

"Six months," replied the boy.

"And you don't like the law business?"

"Naw. It's no good, and I tell you straight, I'm mighty sorry I learned it."


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Audience Attracted—See Providential Interposition.


AUDIENCE, INSPIRATION FROM


"When a singer is up before an audience, he or she can tell whether the effect of the voice is pleasing or not by watching the countenances of the listeners," says Thomas A. Edison in Popular Mechanics. "When, however, one sings into a dead instrument like the phonograph, without the slightest recognition as to whether the voice is properly tuned and pitched, the singer becomes rather nervous. I know some very capable singers who can sing splendidly be-