- enna Academy in 1868, and professor in
1872. Medal, Munich, 2d class, 1883. Works: Farm-House near Meran; Alt-Aussee; Oak Landscape; Castle Liechtenstein; View near Mataun; View near Sessana (1868); View near Lundenburg (1873), Vienna Museum; View near Pitten; Danube near Weissenfels; Landscape in Venetian Mountains; Coast View near Quarnero; Hunter's Hut in the Mountains; Sketch from Top of Etna (1880); Five Views in Nether Austria (1883), Baron Albert Rothschild, Vienna; Eight Views in Austria-Hungary (1884), Museum of Natural History, ib.—Müller, 336; Zeitschr. f. b. K., vii. (Mittheilungen, i. 39); ix. 260; xviii. 492; xix. 568; Kunst-Chronik, xvii. 260; xviii. 293, 492, 511; xix. 511; Leixner, Mod. K., i. 117; ii. 121.
LICHTENHELD, WILHELM, born in
Hamburg in 1818. Landscape painter, pupil
of Munich Academy; paints almost exclusively
moonlight landscapes, both in oil
and water-colours. Works: Rest during
the Chase (1844), Leipsic Museum; Treasure
Digger (1858), Moonlight on the Heath
(1859), New Pinakothek, Munich; Thunderstorm,
Convent Hall by Moonlight (1860);
Moonrise over Dachauer Moos, Moonlight
Night (1861); Morning Dawn (1862); Cloister
in Brixen, Moonlight Night on the Ammer
(1866); Foggy Morning, Moonlight
Night on Chiem Lake; eighteen water-colours
in Holzschuher Collection, Augsburg.—Meyer,
Conv. Lex., xvii. 541; Müller,
336.
LICINIO. See Pordenone.
LIEBERMANN, MAX, contemporary.
Genre painter in Berlin; since 1873 has attracted
attention by his exaggerations of
realism, represented in its sound principle
by Gussow; but has changed, of late, to a
more pleasing style. Works: Geese Pluckers
(1873); Turnip Field Gossip (1877);
Brother and Sister, Wood-Chopper's Family,
Artist's Studio (1878); Christ in the
Temple (1879); Orphanage in Amsterdam
(1882); Shoemaker's Workshop, Courtyard
of Orphanage at Amsterdam (1882); Women
at the Bleachery (1883); Munich Beer Garden,
Setting in the Loaves (1884).—Leixner,
Mod. K., i. 53; ii. 98; Müller, 337;
Zeitschr. f. b. K., viii. 120; xvii. 376; xix.
260; D. Rundschau, xiii. 336; xvii. 307;
xx. 458; Kunst-Chronik, xx. 399, 747.
LIEHM, ANTON, born at Janegg, Bohemia,
Jan. 25, 1817, died there, May 27,
1860. Landscape painter, pupil in Prague
of Max Haushofer; lived then in Teplitz in
1852-60. Works: View in the Erzgebirge
(1842); do. (1843); Castle Sternberg, View
near Ossegg (1844); Mill near Sternberg,
Wolfgang Lake, View on Lake Eben (1845);
Giant's Spring, Mountain Landscape, View
near Salzburg (1846); Views near Eichwald
and Dux (1847); Other Views in Erzgebirge
Mountains (1848-52); Sunday Morning,
Wood in Storm, Summer Noonday in Approaching
Storm (1853); Summer Afternoon,
Autumn Landscape (1854); Autumn,
Sultry Summer-day (1858); Autumn Landscape
with Moonrise (1860).—Allgem. d.
Biogr., xviii. 627.
LIEMAEKER (Liemackere), NICOLAAS
(de), called Roose or Roze, born in Ghent
in 1575, died there in 1646. Flemish school;
history painter, pupil of Marcus Geerards
and of Otto Vaenius; for some time at the
court of the Prince of Paderborn, returned
to Ghent, where he was president of the
guild in 1623-36. Works: The Trinity,
St. Bernard, St. Norbert, Holy Family (2),
Bust of Christ (2), Apotheosis of the Virgin,
Ghent Museum; Virgin in Glory, Cathedral,
Ghent; Fall of the Angels (masterpiece),
Good Samaritan, Consecration of St. Nicholas,
St. Nicolaas, ib.; Institution of the Rosary,
Bruges Cathedral.—Immerzeel, ii. 175;
Kugler (Crowe), ii. 293.
 | An image should appear at this position in the text. To use the entire page scan as a placeholder, edit this page and replace "{{missing image}}" with "{{raw image|Cyclopedia of painters and paintings (IA cyclopediaofpain03cham).pdf/100}}". Otherwise, if you are able to provide the image then please do so. For guidance, see Wikisource:Image guidelines and Help:Adding images. |  |
LIER, ADOLF, born at Herrnhut, Saxony, May 21, 1826, died at Vahrn, near Brixen, Tyrol, Sept. 30, 1882. Landscape painter, pupil in Basle of Süffert and in
