LILITH, Dante Gabriel Rossetti, Mr. Alexander Stevenson, Tynemouth, England; canvas. Illustration of Rossetti's sonnet, Lilith. According to ancient legend, the witch Lilith, Adam's first wife, who was as cruel as she was lovely, is immortal, and still lures men into her snares. In the picture she is lolling back in a chair, contemplating her features in a mirror held in her left hand, while she draws her right hand through her pale golden hair which falls in masses about her throat and shoulders. Painted in 1864.—Athenæum (1873), 407.
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LIMBORCH (Limborgh), HENDRIK
VAN, born at The
Hague in 1680, died
in 1758. Dutch
school; history, landscape,
and portrait
painter, pupil of
Adrian van der Werff,
of whom he was a
faithful but feeble
imitator. Works:
Repose in Egypt,
Golden Age, Louvre; Blind Man's Buff,
Cupid and Psyche, Shepherds, Amsterdam
Museum; Achilles recognized by Ulysses,
Rotterdam Museum; Venus and Cupid,
Dresden Gallery; Musical Company (?),
Liechtenstein
Gallery, Vienna.—Ch.
Blanc, École hollandaise; Immerzeel,
ii. 178; Kramm, iv. 984; Kugler (Crowe),
ii. 539.
LIN, HERMAN VAN, called Stilheid,
flourished in Utrecht about 1659-70, when
he appears there as member and several
times as dean of the guild. Dutch school;
genre and battle painter. Works: Battle
near Rome (1658), Carlsruhe Gallery; Cavalry
Combat under the Walls of a Fortress
(1650), Horseman and Horse laden with
Deer following Huntsmen, Woman and
Child on a Donkey, Dresden Museum;
Dead and Wounded Soldiers plundered on
Battlefield, Old Pinakothek, Munich; Cavalry
Combat in the Mountains (1658), Schwerin
Gallery; Cavalry Combat (1664), Vienna
Museum.—Schlie, 346.
LINDAU, DIETRICH WILHELM, born
in Dresden in 1799, died in Rome in 1862.
Genre painter, pupil of Dresden Academy
under Christian Ferdinand Hartmann; went
as royal pensionary to Italy, and settled in
Rome in 1821; his truthful scenes from
Italian popular life met with great favor.
Works: Thorvaldsen with his Pupils in an
Italian Inn, Thorvaldsen Museum, Copenhagen;
October Festival near Rome (1832),
Leipsic Museum; Italian Peasants returning
from Harvest, Villa Rosenstein near
Stuttgart.—Cotta's Kunstbl. (1846), 15.
LINDEGREN, AMALIA, born in Stockholm
in 1814. Genre and portrait painter,
pupil of Stockholm Academy; went in 1850
to Düsseldorf and thence to Paris, where
she studied until 1854 under Cogniet and
Tissier; then visited Munich and Rome,
and Paris again in 1855-56. Member of
Stockholm Academy since 1856. Works:
The Pilgrims; Mother and Child, Grandfather
and Granddaughter (1853), Christiania
Gallery; Girl with Oranges, Breakfast,
Dance in Peasant's Cottage, Stockholm
Museum; Pifferari.—Müller, 338.
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LINDEMANN-FROMMEL, KARL (AUGUST),
born at Markirch,
Alsace, Aug. 19,
1819. Landscape painter,
nephew and pupil of
Karl Ludwig Frommel
in Carlsruhe, where he
studied after the old
masters in the gallery
and from nature; about
1840 he visited North
Italy, and after a year's stay in Munich,
where he was inspired by Rottmann and
also influenced by Olivier, returned to Carlsruhe,
whence he went to Rome in 1845;
then to England in 1849, where his water-colours
were in great demand. Newly attracted
to Munich, he went thence to Paris,