Ghizeh (1857); Two Landscapes from Palestine (1859); Lake Genesareth (1860); Temple of Apollo Epicurius, Plain of Jericho (1857); Egyptian Landscape with Finding of Moses (1861); Memphis, Athens, Rome, Jerusalem (1864-65); Athens from the Road to Eleusis, Temple Ruins of Baalbec, Athens from Hymettus, Beirut on the Lebanon, Athens from the Grove of Colonäus (1864); Lago di Garda, Lake Kochel (1861); Jerusalem from Mount of Olives (1863); Greek Landscape, Leipsic Museum; Twenty-two oil sketches (Views in the East), New Pinakothek, Munich.—Allgem. d. Biogr., xix. 101; Andresen, iv. 262; Kunstblatt (1857), 389; (1858), 224; Regnet, ii. 31; Zeitschr. f. b. K., i. 153.
LÖFFLER, LUDWIG, born in Frankfort
on the Oder in 1819,
died in Berlin in 1876.
History painter, pupil
of Berlin Academy, of
Hensel, and of Wagner;
went in 1843 to
Paris, where he studied
from nature and after
the old masters in the
Louvre; visited Italy in
1844, and returned to Berlin in 1845.
Works: Cromwell at the Execution of
Charles I.; Charles IX. on Night of St. Bartholomew;
Illustrations to Sterne's Sentimental
Journey.—D. Kunstbl. (1852), 257;
(1853), 319; Land und Meer (1876), ii.
854.
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LÖFFLER-RADIMNO, LEOPOLD, born at Rzeszow, Galicia, in 1828. Genre painter, pupil in Vienna of Waldmüller; visited Germany and Paris. Member of Vienna Academy. Works: Interrupted Betrothal (1852), Emperor Rudolf I. in Peril of his Life at Murten, Vienna Museum; Last Moments of Polish General Szarniecki; Return from Slavery; Duke Alva at Castle Rudolstadt; Reunion after Devastations by the Tartars; Refreshing Potion; Children eating Fruit; Temptation; The Present; Unexpected Return; Recommendation; Language of Flowers; The Schoolmaster, Last Ornament.—Müller, 341.
LÖFFTZ, LUDWIG, born in Darmstadt,
June 21, 1845. Genre painter, pupil of
Nuremberg Art-School under Kreling and
of Munich Academy under Wilhelm Diez;
became assistant professor, in 1874, and afterwards
professor at Munich Academy. Medals
in Vienna (1873) and Munich (1883).
Works: The Walk (1873); Cardinal playing
Organ (1876); Avarice and Love (1879),
Wm. H. Vanderbilt, New York; Money
Changers (1884, Morgan sale, New York,
1886, $4,100); Pietà (1883), New Pinakothek,
Munich; Dutch Lacemaker (1884).—Meyer,
Conv. Lex., xxi. 589; Müller, 341;
Illust. Zeitg. (1880), i. 365; N. ill. Zeitg.
(1881), i. 278; Zeitschr. f. b. K., xv. 28;
xix. 131; xx. 148.
LOHDE, MAX, born in Berlin, Feb. 13,
1845, died in Naples, Dec. 18, 1868. History
painter, son of the architect Ludwig
Lohde, pupil in Dresden of Julius Schnorr,
then in Berlin of Cornelius and at the
Academy, where in 1866 he obtained a
prize; devoted himself to sgraffito painting,
for which he discovered a new process, and
in 1868 went to Italy to study old sgraffito
paintings. Works: Bride of Messina (1866);
Rape of Helen, Return of Helen, Return of
Agamemnon, Return of Ulysses (1867), Sophien
Gymnasium, Berlin; Fight between
Centaurs and Lapiths, Horse-Race at Olympia
(1867-68), Riding-School, Ministry of
War, Berlin.—Allgem. d. Biogr., xix. 115;
Illustr. Zeitg., 1868; Kunst-Chronik, iv. 60;
Bruno Meyer, Studien u. Kritiken, 354;
Rosenberg, Berl. Malersch., 118.
LÖHR, EMIL LUDWIG, born in Berlin
in 1809, died in Munich, April 21, 1876.
Landscape painter, pupil of Kupelwieser in
Vienna, where he devoted himself to religious
subjects, but, attracted during his further
studies in Rome by Josef Anton Koch,
abandoned them for landscape painting.
After ten years returned to Germany in
1840, spending his winters in Munich and
seeking relief from gout during the summer
