- tival near Salzburg (1837), Iron-Works in
Austrian Alps (1838), View on the Kahlenberg near Vienna (1842), Klosterneuburg (1843), View on the Danube (1844), Castle near Ybbs (1846), Hungarian Village (1844), Vienna Art Union; Mill in the Valley (1838); View of Jormannsdorf (1839); Evening on the Röthelstein (1840); Mountain Landscape near Vienna (1846); Views near Terracina (1848, 1849); Vico near Naples (1854); Pirano in Istria (1855); Destroyed Giant's Grave on Baltic Coast (1860), Oldenburg Art Union; Ruin of Stor-Hamar Cathedral (1857), Christiania Gallery; Cow-Stable in Austria (1866), Kiel Art Union; Strand of Sorrento (1864); Old Church in Schleswig (1866).—Andresen, ii. 198.
LOOSE, BASILE DE, born at Zeele,
Flanders, Dec. 17,
1809. Genre painter,
son and pupil of
Joannes Josephus de
Loose, and pupil of
Antwerp Academy;
went in 1835 to
study in Paris, settled
in Brussels;
imitates Terburg and
kindred masters of
the 17th century. Medal, Paris, 3d class,
1841. Works: Maiden at Toilet-Table;
The Present; The Swing; Boys' Tricks;
Flemish Kirmess; Children's Festival at
School, Lace Maker with Child (1858), Leipsic
Museum; Company in Tavern (1846),
Dutch Family Scene (1846), National Gallery,
Berlin; Girls' School in the Country,
Stettin Museum.—Immerzeel, ii. 186; Müller,
342; Kramm, iv. 1011.
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LOOSE, JOANNES JOSEPHUS DE, born at Zeele, Flanders, Nov. 22, 1770. History painter, pupil of Ghent Academy, where in 1794 he obtained the first prize; studied then in Mechlin under Herreyns, and afterwards became professor at the Academy of Design at St. Nicolaas, East Flanders. Works: St. Cornelia blessing Children, St. Jacob's, Ghent; Martyrdom of St. Apollonia; Martyrdom of St. Barbara; Christ driving the Venders from the Temple (1822); Entry of Christ into Jerusalem (1828); Festive Scene with sixteen portraits.—Immerzeel, ii. 185; Nagler, viii. 48.
LOOTEN (Loten), JAN, born in Amsterdam
about 1618, died in London in 1681.
Dutch school; landscape painter. Seems
to have worked first in Switzerland, then in
Holland, and to have gone to England about
1662 and painted for Charles II. His usual
subjects were rocky scenes, dark oak-woods,
rushing torrents, and wild solitudes. An
inky colouring detracts much from the effect
of his finely composed, well-drawn, and
truthful pictures. Was an imitator of Hobbema.
Works: River Scene, National Gallery,
London; Sportsmen in a Wood (1658),
Rotterdam Museum; Three landscapes,
Dresden Gallery; Stag-Hunt (1659), Berlin
Museum; Consecration of a Church, View
across a River
(1656), Copenhagen
Gallery;
Landscape with
Travellers, Kunsthalle,
Hamburg; Rocky Landscape (1675),
Beech-wood, Liechtenstein Gallery, Vienna.—Kugler
(Crowe), ii. 481; Kramm, iv.
1012.
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LOPEZ Y PORTAÑA, VICENTE, born in Valencia in 1772, died in Madrid in 1855 (1850?). History and portrait painter, pupil of the Franciscan monk Villanueva, and in Madrid of Maella; became director of Valencia Academy, made court-painter in 1802, and called to Madrid in 1814 to instruct the second and third queens of Ferdinand VII.; appointed director-general of Madrid, Saragossa, and Valencia Academies. Works: Charles IV. and his Family, Charles III. instituting his Order, Adoration of Santa Forma, Death of Abradates, Portraits of Queen Maria Christina de Bourbon, Queen Maria Amalia, Queen Maria Isabel de Braganza, Queen Maria Antonia of Naples, Infante Don Antonio, Francisco Goya, Félix Máximo Lopez, Madrid Museum; SS. Au-
