Sunnyside—Home of Washington Irving; Cave of the Winds—Niagara (1878); Near Biddeford—Maine, T. B. Clarke, New York; Napanock Mills (1879); Hunting Days (1880); Winter Evening on the Hudson (1881); Market-Place—Montreal (1882); Vesper Hour, Where Swallows Skim (1883); Memory of June, Ice Harvest, Cross-Road Bridge (1884); Old Mill-Race on Whippany River—New Jersey, November Day, ib. (1885); Long Pond—New Hampshire, Late Autumn (1886).
MacCULLOCH, HORATIO, born in Glasgow,
Scotland, November, 1805, died in Edinburgh,
June 24, 1867. Landscape painter,
pupil in Glasgow of John Knox, a locally
known landscape painter. Exhibited frequently
at the Royal Scottish Academy,
Edinburgh, of which he was elected an associate
in 1834 and a member in 1838.
Removed to Edinburgh in 1847. Painted
chiefly Scottish scenery with great freshness
and truth. Works: Deer Forest in Skye;
My Heart's in the Highlands; Druid Stones
by Moonlight; Bridge over the Avon near
Hamilton.—Redgrave.
MACEDONE, IL. See Clovio, Giorgio
Giulio.
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McENTEE, JERVIS, born at Rondout,
N. Y., July 14, 1828.
Landscape painter, pupil
of F. E. Church. In
1869 visited Europe,
studied in the principal
art galleries on the Continent,
and sketched in
Italy and Switzerland.
Elected an A.N.A. in
1860, and N.A. in 1861.
Studio in New York.
Works: Virginia in 1863 (1867); Venice,
October Snow (1870); Scribner's Mill (1871),
Robert Gordon; Autumn, Robert Hoe, New
York; Old Mill in Winter, R. L. Stuart, ib.;
Autumn Day, Charles Stuart Smith, ib.;
Wood Path, Henry James; Cape Ann (1874);
Song of Summer (1876); Winter in the Mountains
(1878); Clouds (1879); Edge of a Wood,
November (1880); Kaatskill River (1881),
Joseph Cornell, New York; Indian Summer,
Valley of the Humboldt (1882); Uplands in
Autumn, Wintry River, Autumn Memory
(1883); Kaatskills in Winter, Yellow Autumn
Woods, Shadows of Autumn (1884);
Christmas Eve, Sundown in Winter (1885);
Ashokan—November, Glimpse of Hunter
Mountain, Shadows of Autumn, Winter
Morning (1886).—Sheldon, 51.
MACHARD, JULES LOUIS, born at
Sampans (Jura), Sept. 22, 1839. History
and portrait painter, pupil of Baille and
Signol, and of the École des Beaux Arts.
Won the grand prix de Rome in 1865.
Paints gracefully drawn and poetically composed
mythological scenes, and much-admired
portraits. Medals: 1st class, 1872;
2d class, 1878; L. of Honour, 1878. Works:
A Fancy (1865); Angelica chained to a Rock
(1869), Dôle Museum; Narcissus and the
Spring (1872); Silenus (1874); Psyche surrendered
to Cupid (1876), Transit of Venus
(1877), Duke of Buccleuch; Young Woman
wearing a Hood (1880); Death of Medusa,
Besançon Museum.—Bellier, ii. 6; Claretie,
Peintres (1874), 225, 326, 368; Gaz. des B.
Arts (1865), xix. 286.
MACHEATH, CAPTAIN, Gilbert S. Newton,
Marquis of Lansdowne, Bowood House,
near Chippenham. Scene from Gay's Beggar's
Opera (1727). Captain Macheath in
Newgate, upbraided by Polly Peachum, to
whom he is married, and by Lucy, whom
he has promised to marry. Painted in
1826. Bought by Marquis of Lansdowne
for 500 guineas.
MACHEK, ANTON, born at Podlaschitz,
Bohemia, in 1771, died at Prague, Nov. 18,
1844. History and portrait painter, pupil
in Prague of Wenzel Bluma (died in 1794),
and of Ludwig Kohl, then of the newly
created Academy (1800), where he won the
second and soon after the first prize; finally
of the Vienna Academy. Having painted
several members of the Imperial family
with great success, he rapidly acquired popularity
as a portrait painter, especially after
his return to Prague in 1806; also painted
