A. Poilly; J. Frey; Du Flos; F. Borsi; M. Desnoyers; J. J. Massard; L. C. Recotti; P. Metzmacher; Girard (1845).—Passavant, ii. 108; Müntz, 375; Cab. Crozat, i. Pl. 29; Klas. der Malerei, i. Pl. 33; Gruyer, Vierges de Raphael, iii. 220; Lübke, Raphael, 55, 104; Landon, Musée, ii. Pl. 25; Musée français, i.; Filhol, iv. Pl. 217; Réveil, i. 13.
An image should appear at this position in the text. To use the entire page scan as a placeholder, edit this page and replace "{{missing image}}" with "{{raw image|Cyclopedia of painters and paintings (IA cyclopediaofpain03cham).pdf/159}}". Otherwise, if you are able to provide the image then please do so. For guidance, see Wikisource:Image guidelines and Help:Adding images. |
Madonna with Diadem, Raphael, Louvre.
MADONNA, DIOTALEVI, Raphael (?),
Berlin Museum; wood, H. 2 ft. 2 in. × 1 ft.
6 in. Virgin supports Jesus on her lap,
with one hand on the shoulder of the worshipping
St. John; Jesus extends hand
in benediction. Distinctly Peruginesque.
Bought for 980 thalers ($735) in 1841-42
of Marquis Diotalevi, Rimini, in whose family
the picture, assigned to Perugino, had
been an heirloom.—C. & C., Raphael, i. 94;
Gruyer, Vierges de Raphael, iii. 121; Passavant,
ii. 334.
MADONNA WITH DOGE BARBERIGO,
Giovanni Bellini, S. Pietro Martire,
Murano; canvas, figures nearly life-size;
signed, dated 1488. The Doge Agostino
Barberigo, introduced by SS. Mark and Augustine,
kneels before the Madonna. In
Palazzo Barberigo till the Doge's death
(1501), when placed on the high altar of S.
M. degli Angeli, Murano; removed thence
to S. P. Martire. Injured by restoration.—C.
& C., N. Italy, i. 169; Meyer, Künst.
Lex., iii. 408, 417; Zanetti, Monastero di S.
M. degli Angeli (Venice, 1863), 57.
MADONNA WITH DOGE LOREDANO,
Vincenzo Catena, Palazzo Ducale, Venice;
canvas, signed. The Doge, Leonardo Loredano,
under the protection of SS. Mark and
John Baptist, kneels before the Madonna,
exactly as in Bellini's altarpiece, Madonna
and Doge Barberigo, Murano. Painted
about 1503 for Pregadi Chapel in Palazzo
Ducale.—C. & C., N. Italy, i. 250.
MADONNA AND DONORS (Vierge aux
Donateurs), Anton van Dyck, Louvre; canvas,
H. 8 ft. 2 in. × 6 ft. The Virgin, seated
upon a rock, holds Jesus on her knees; before
her, a man and his wife, clad in black,
kneel with hands joined; above, two little
angels hover, holding flowers. Collection
of Louis XIV.—Villot, Cat. Louvre.
MADONNA DEL DUOMO. See Madonna
della Rosa, Spinelli.
MADONNA, DUSSELDORF. See Holy
Family, Canigiani.
MADONNA, ESZTERHAZY, Raphael (?),
Eszterhazy Collection, Buda-Pesth; wood,
H. 10-1/2 in. × 8-1/2 in. Jesus, sitting on a rocky
ledge, is held with both hands by the Virgin,
who kneels before him; St. John, kneeling
at left, reads from a scroll; background,
a landscape with ruins and a mountain. As
a composition, a gem without a flaw, but
probably finished by a pupil (C. & C.).
Sketch for it in the Uffizi, but different
background. Given to Empress Elizabeth
by Pope Clement XI., and presented by her
to Kaunitz, from whom it passed to the Eszterhazy
family. Copies in Wendelstadt
Collection, Frankfort-on-the-Main; in the
Casa Thiene, Vicenza; and in the Ambrosiana,
Milan.—Müntz, 199; Gruyer, Vierges