probably a companion of Raphael. Among his youthful works are a Madonna, ascribed to Raphael, Fitzwilliam Museum, Cambridge (C. & C.), and a Saviour in Glory between the Virgin and Evangelist, Perugia Academy. Frescos by him are in various churches in Perugia. In the Louvre is a Madonna enthroned with Saints, ascribed to l'Ingegno, which shows a mixture of Perugino, Pinturicchio, and Raphael; in the National Gallery, London, is an Annunciation.—C. & C., Italy, iii. 334; Ch. Blanc, École ombrienne; Vasari, ed. Mil., iii. 596.
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Fall of Manna, Nicolas Poussin, Louvre, Paris.
MANNLICH, JOHANN CHRISTIAN
VON, born in Strasburg, Oct. 4, 1740,
died in Munich, Jan. 3, 1822. History
painter, son and pupil of Konrad Mannlich
(1701-59, court-painter at Zweibrücken),
and studied in Mannheim under Zinzenich
and Verschaffelt; went to Paris in 1763
with his patron, Duke Christian IV. of Zweibrücken,
and studied under François Boucher;
having returned to Mannheim in
1764, he accompanied the duke to Paris
again in 1776, then was in Rome in 1767-71
as pensioner of the French Academy; became
in 1772 court-painter and director of
the newly erected Art School at Zweibrücken,
and was called to Munich by the Elector
Maximilian, in 1799, as director of all
art collections in Bavaria. Works: Artist's
wife as Magdalen, Scenes from Operas (4,
one dated 1772), Male portraits (2), Schleissheim
Gallery; Baptism of Christ; Jupiter
and Leda; Madonna; Two pictures of
Christ.—Allgem. d. Biogr., xx. 207; Cotta's
Kunstbl. (1822), 165.
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MANNOZZI, GIOVANNI, born at San
Giovanni in 1590, died
in Florence, Dec. 9,
1636. Florentine
school; sometimes
called Giovanni da San
Giovanni; pupil of
Matteo Rosselli, whose
finished style was not
suited to the capricious
imagination and
facile execution of his
pupil. Though he often fell into absurd
