Arezzo, which is evidently by some one of the pupils of Niccolò Pisano.—C. & C., Italy, i. 186, Vasari, ed. Mil., i. 359; Burckhardt, 38, 47, 488, 494; Lübke, Gesch. ital. Mal., i. 98.
MARGUERITE, Alexander Cabanel, J. T.
Raynor, New York; canvas, H. 2 ft. 6 in. ×
1 ft. 9 in. Painted in 1874; Latham sale,
New York (1878), $2,700.
MARGUERITE AT CHURCH, Ary
Scheffer, Samuel Ashton, Manchester, England;
canvas, dated 1832. Marguerite,
sunk before a prie-Dieu, listens to the voice
of the evil spirit reproaching her for the
death of her father and mother. Salon,
1833; Paturle sale, Paris (1872), 40,000
francs.
MARGUERITE LEAVING CHURCH,
Ary Scheffer, Samuel Ashton, Manchester,
England; canvas, H. 7 ft. 1 in. × 4 ft. 6 in.;
dated 1838. Marguerite, holding her
prayer-book and her rosary, descends the
steps of the church; Mephistopheles, in
red, and wearing a cap with a cock's feather,
points her out to Faust, who appears profoundly
moved. Salon, 1839; Paturle sale,
Paris (1872), 35,000 francs. Engraved by
Ad. Caron.
MARGUERITE AT THE FOUNTAIN,
Ary Scheffer, Sir Richard Wallace, London;
canvas, H. 5 ft. 3 in. × 3 ft. 4 in. Marguerite,
absorbed in thought, forgets that her
pitcher is full and overflowing; behind her,
two young girls are laughing at her absent-*mindedness.
Salon, 1858; sold to M. Durand-Ruel;
then to M. Pereire; Pereire sale
(Paris, 1872), 56,000 francs. Replica, A. J.
Nottebohm, Rotterdam. Etched by L. Flameng.—Gaz.
des B. Arts (1859), iii. 51, 54;
(1864), xvi. 196.
MARGUERITE AT HER SPINNING
WHEEL, Ary Scheffer, Rothschild Collection,
Paris; canvas, H. 3 ft. 8 in. × 2 ft. 10
in. Companion to Faust in his Cabinet.
Marguerite, sitting in a high-backed chair
before her spinning wheel, her eyes reddened
with weeping, her head drooping,
lets fall upon her knees her book of prayers.
Salon, 1831; partly burned at the Château
de Neuilly in 1848, and restored by Scheffer.
Replica, A. J. Nottebohm, Rotterdam;
another, small, Paturle sale, Paris (1872),
5,050 francs.
MARIA TERESA, Infanta, daughter of
Philip IV. and Isabel of Bourbon, wife of
Louis XIV. of France, Velasquez, Madrid
Museum; canvas, H. 7 ft. × 4 ft. 10 in.
About ten years old, full-length, standing;
rose-coloured dress distended by large
hoops, on which rest her hands, the right
holding a handkerchief, the left a rose; on
right, a crimson curtain partly hides a chair.
Face in second manner, remainder in last
manner of Velasquez.—Curtis, 97; Madrazo,
620.
By Velasquez, Vienna Museum; canvas, H. 1 ft. 7 in. × 1 ft. 3 in. About sixteen years old, three-quarters length, standing, her right hand on a table, her left resting on her wide hoops, holding her handkerchief; wears a tulle bertha with perpendicular red stripes, a plain collarette, and pearls; two watches suspended from her waist.—Curtis, 98.
MARIANA OF AUSTRIA, Queen, second
wife of Philip IV., Velasquez, Madrid Museum;
canvas, H. 6 ft. 11 in. × 4 ft. 10 in.
Full-length, kneeling in prayer behind a
desk covered with rich tapestry; in her
hand, a small Book of Hours; above, a
curtain. Latest manner. Companion to
similar picture of same size of Philip IV.
in Museo del Prado.—Curtis, 93; Madrazo,
618.
By Velasquez, Madrid Museum; canvas, H. 6 ft. 11 in. × 4 ft. 1 in. About twenty-four years old, full-length, dressed in court mourning, standing with right hand on back of a chair, a large handkerchief in left hand; red hair arranged in ringlets, each tied at end with red ribbon; behind her, a bronze clock on a table; above, a red curtain. Latest manner. Probably painted in 1659. Repetitions, with changes: Madrid Museum; H. B. Brabazon, Battle, Sussex; Castle Howard (?); Historical So-
