- iature, of which the most remarkable are
those in the compositions of Orlando di Lasso and Ciprian de Rore, in the Court and State Library at Munich. Other works: Altarpiece with Scenes in Life of Christ and Mary (1572), Frauenkirche, Ingolstadt; Christ on Mount of Olives, and Entombment, Last Judgment (copy after Michelangelo), Frauenkirche, Munich; Male Portrait (1540), Female do. (1542), Old Pinakothek, ib.; Portrait of himself, National Museum, ib.; Male do. (1540), Museum, Vienna; do. (1543), Liechtenstein Gallery, ib.; Duke Albrecht V. the Magnanimous (1545), Philip the Warlike (?), Schleissheim Gallery.—Nagler, ix. 260; Sighart, 707; D. Kunstbl. (1853), 413; Kunst-Chronik, xx. 715; Zimmermann, Hans Müelich und Herzog Albrecht V. von Bayern (Munich, 1885).
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MIEREVELT, MICHIEL JANSZEN
VAN, born at
Delft, May 1,
1567, died
there, July 27,
1641. Dutch
school; portrait
painter,
pupil of Willem
Willemsz and
of Augustyn,
then at Utrecht
of Blockland; entered the guild of The
Hague in 1625; painted also mythological
subjects. Charles I. invited him to England
to paint his portrait. Archduke Albrecht
gave him a pension. Works: Portraits
of William of Orange (2), Princes
Philip William and Maurice (1617) of Nassau,
Louise de Coligny and two other
Princes of House of Orange, Hague Museum;
William of Orange, Princes Philip
William, Maurice, and Frederick Henry of
Orange, Johan van Oldenbarnevelt, Jacob
Cats (2, 1634, 1639), Elector Palatine Frederick
V., Captain Smeltzing, Amsterdam
Museum; Female Portrait (1634), Haarlem
Museum; Prince Maurice, Johan van Oldenbarnevelt
(1617), Lady's Portrait (1630),
Rotterdam Museum; Count and Countess
of Nassau, Male Portrait (1627), Female do.
(1629), Brunswick Museum; Merry Company
in Open Air, Portrait of Johan van
Oldenbarnevelt (1617), Gotha Museum;
Portraits of Elector Palatine Frederick V.
and his Consort Elizabeth Stuart (1626),
Hanover Gallery; Portrait of the Engraver
Delff (1638), two others, Schwerin Gallery;
Portraits in the Louvre, Paris (3, two dated
1617, 1634), in Museums of Le Puy (2),
Lyons (2, 1625, 1631), Berne, Geneva, Berlin
(2, 1624, 1632), Darmstadt (3, one dated
1630), Dresden (6), Madrid, Naples, New
York, Nuremberg, Stuttgart (2), Vienna;
Galleries of Aschaffenburg, Carlsruhe (1626),
Christiania, Copenhagen (5, four dated 1621,
1635, 1638), Oldenburg (2, one dated 1641),
Old Pinakothek, Munich (2, one dated 1635),
Hermitage, St. Petersburg (4), Czernin and
Liechtenstein (1608) Galleries, Vienna;
Academy, Venice; Uffizi, Florence; several
in Town Hall, Delft.—Allgem. d. Biogr., xxi.
713; Ch. Blanc, École hollandaise; Descamps,
i. 256; Gaz. des B. Arts (1878), xvii.
78, 265; Havard, A. & A. holl., i. 11; Immerzeel,
ii. 225; Kramm, iv. 1120; Kugler
(Crowe), i. 256; Kunst-Chronik, xxi. 114;
Nagler, Mon., iii. 1077; Riegel, Beiträge, i.
124; ii. 193; De Stuers, 78.
MIEREVELT, PIETER VAN, born in
Delft, Oct. 5, 1595, died there, Jan. 11,
1623. Dutch school; portrait painter, son
and pupil of Michiel van Mierevelt, whom
he successfully imitated. Works: Three
Portraits, Dresden Gallery; Husband and
Wife (1622), Copenhagen Gallery; Family
Group, Brunswick Gallery; Lecture on
Anatomy (1617), Hospital, Delft.—Kugler