Kurtz, England; Victory, O Lord! (1871), Mrs. Leopold Reiss; Yes or No? A Somnambulist (1871); Hearts are Trumps (1872), J. H. Secker, England; New-Laid Eggs (1873), Peter Reid, England; Early Days (1873); Scotch Firs (1873), James Mason, England; Winter Fuel (1873), G. B. Worthington, England; Northwest Passage (1874), C. F. H. Bolckow, Middlesborough; Picture of Health (1874), Hilton Philipson, England; Still for a Moment (1874), J. S. Morgan, London; Day Dream (1874); Forbidden Fruit (1875), Sir J. E. Millais; Yes or No? (1875), Mrs. Moir, England; No! (1875), H. A. Brassey, M.P.; Deserted Garden (1875), D. Thwaites, England; Fringe of the Moor (1875), T. H. Ismay, England; Over the Hills and Far Away (1875), Kay Knowles, England; Crown of Love (1875); Getting Better (1876), Humphrey Roberts; Stitch! Stitch! Stitch! (1876), George F. Watts, R.A.; Sound of Many Waters (1876), David Price, England; Yeoman of the Guard (1876), Mrs. Henry Hodgkinson; Yes! (1876); Good Resolve (1877), Julius Reiss; Bright Eyes (1877), Mrs. Macdonald, England; Effie Deans (1877), Robert Loder, M.P.; Jersey Lily (1878), H. Martyn Kennard, England; Princes in the Tower (1878), Holloway Institute, Egham; St. Martin's Summer (1878); Bride of Lammermoor (1878), W. H. Vanderbilt Collection, New York; Tower of Strength (1879), J. H. Renton, England; Princess Elizabeth (1879), Holloway Institute; Portrait of Gladstone (1879), Duke of Westminster; Cuckoo! (1880), Mrs. Bloomfield Moore; Portrait of John Bright (1880), William Agnew, M.P.; Portrait of the Painter (1880), Uffizi, Florence; Caller Herrin' (1881), Walter Dunlop, England; Portrait of Tennyson (1881), James Knowles, England; Sweetest Eyes were ever Seen (1881), Everett Gray, England; Cinderella (1881); Portrait of Earl of Beaconsfield (1881), Right Hon. W. H. Smith, MP.; Portrait of James C. Hook, R.A. (1882), J. C. Hook; do. of Duchess of Westminster (1882), Duke of Westminster; Dorothy Thorpe (1882), J. Dyson Perrins, England; Pomona (1882), Charles Neck, England; Olivia (1882), E. J. Poole, London; For the Squire (1882), H. F. Makins, England; Princess Marie of Edinburgh (1882); Gray Lady (1883), T. Agnew & Son, London; Dropped from the Nest (1883), W. C. Quilter, M.P.; Une Grande Dame, Forget-Me-Not (1883); Portrait of Marquis of Salisbury (1883), Right Hon. W. H. Smith, M.P.; Idyl of 1745 (1884), Frederick Wigan, England; Little Miss Muffett (1884), John M. Keiller, England; Mistletoe Gatherer, Message from the Sea (1884); Portrait of Henry Irving (1884), Garrick Club; do. of Marquis of Lorne (1884); do. of Miss Scott (1884), Mrs. T. A. Scott, Philadelphia; Ornithologist (1885), Sir J. E. Millais; Orphans (1885), J. S. Forbes; Lady Peggy Primrose, Portrait of Gladstone (1885); another Portrait of Gladstone (1885), Christ Church, Oxford. Millais has designed numerous illustrations for books, including the "Poems of Tennyson," "Once a Week," "Good Words," "The Parables," "Framley Parsonage," and "The Small House at Allington." Collective exhibitions of his works were made at the Fine Art Society, London, in 1881, and at the Grosvenor Gallery, London, in 1885, when 131 oil pictures and 30 water-colour and pen-and-ink drawings were shown.—Sandby, ii. 332; Portfolio (1871), 1; Zeitschr. f. b. K., v. 309; vi. 374; Notes on Millais's Pictures at Fine Art Soc. (1881); F. G. Stephens, Notes on Exhibition at Grosvenor Gallery (1885); Art Journal (1886), 62; Spectator, Jan. 2, 1886.
MILLER, ALFRED J., born in Baltimore
in 1810, died in 1874. Portrait, figure,
and animal painter, pupil of Thomas
Sully; in 1833 studied in Paris, Rome, and
Florence; visited New Orleans in 1837, and
later sketched in the Rocky Mountains;
visited Scotland in 1841, and painted the
portraits of several members of the family of
the Duke of Breadalbane. A valuable collection
of Indian pictures, from his Rocky Mountain
sketches, is owned by Sir W. D. Stewart,
