- ble Châtillon (1835), of Marshals Xaintrailles
(1834), Gyé, Trivulce (1835), Lavardin. Noailles, Dampierre, three others, Versailles Museum.—Bellier, ii. 117; Larousse; Meyer, Gesch., 277.
MOONEY, EDWARD, born in New York
in 1813. Portrait painter, pupil of the National
Academy, Inman, and William Page.
Professional life passed in New York, with
the exception of four winters in Columbus,
Ga., and Savannah. Gold medal from National
Academy, when a pupil there. Elected
an A.N.A. in 1834, and N.A. in 1840.
Portraits: Ex-Mayors Andrew Mickle, Jacob
R. Westervelt, Isaac L. Varian, City Hall,
New York; Achmet Ben Aman (1840), Common
Council, ib.; Judge Edmunds (New
York Bar); Governor Seward, State House,
Albany.
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MOOR, KAREL DE, the elder, born in
Leyden, Feb. 22,
1656, died at Warmond,
Feb. 16,
1738. Dutch
school; history,
genre, and portrait
painter, pupil
of Gerard Dou,
Abraham van den
Tempel, Frans van
Mieris, and Godfried
Schalcken, whose realistic tendencies he
followed. He treated both sacred and profane
history, but excelled in life-size portraits,
resembling in animation and mastery
those of Abraham van den Tempel.
Created chevalier by the Emperor of Austria
for his portraits of Prince Eugene and the
Duke of Marlborough. Works: Dutch
Family, Louvre; Young Lady with Bouquet,
Antwerp Museum; Portraits of Trustees,
Leprosenhuys, Amsterdam; Flight into
Egypt, Offering, Rotterdam Museum; Brutus
sentencing his Sons, Town Hall, Leyden;
Portrait Group, Museum, ib.; Joseph interpreting
Dreams, Aschaffenburg Gallery;
Lady as Fishmonger, Carlsruhe Gallery;
Hermit, Dresden Gallery; do. (1730), and
Ecce Homo, Hermitage, St. Petersburg;
Man with White Beard, Stuttgart Museum;
Male Portrait (1597), Liechtenstein Gallery,
Vienna; Pyramus and Thisbe (1710), Turin
Museum.—Cat. du Mus. d'Anvers (1874),
112; Immerzeel, ii. 238; Kugler (Crowe), ii.
541; Kramm, iv. 1148; Ch. Blanc, École
hollandaise; Riegel, Beiträge, ii. 26.
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MOORE, ALBERT, born in York, England
in 1840. Figure
painter, son and pupil
of William Moore, portrait
painter, of the
school in York, and
(1858) of the Royal
Academy, London.
Works: Wayside
Weeds (1858); Four
Seasons (1864); Marble
Seat, Elijah's Sacrifice
(1865); Apricots, Pomegranates (1866);
Quartette (1869); Shells (1874); Pansies
(1875); The Reader (1877); Gannets (1879);
Jasmine Sprigs, Rose Leaves (1880); Blossoms,
Forget-Me-Nots (1881); Dreamers,
Acacias (1882); Reading Aloud (1884).—Academy
(1886), i. 404; Art Journal (1881),
162; Athenæum (1886), i. 623; Portfolio
(1870), 4; Temple Bar (1877), 342; Gaz.
des B. Arts, xxix. 531; Mag. of Art (1885),
192.
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MOORE, HENRY, born in York, England,
in 1831. Landscape
and marine
painter, brother of
the preceding, pupil
of his father, of the
local school, and in
1853 of the Royal
Academy, London,
where his first work,
Glen Clunie—Braemar,
was exhibited in
the same year. Elected A.R.A. in 1885.
Works: Haymaking in Switzerland (1857);
