MORGENSTERN, KARL, born at Frankfort in 1811. Landscape painter, grandson of preceding, pupil of Munich Academy (1832), whence he visited the Bavarian highlands, and in 1834 went to Italy; his landscapes, of masterly perspective, are mostly views from different parts of that country. Works: Bay of Villafranca near Nice (1843), View of Naples, Bay of Bajæ, Städel Gallery, Frankfort; replica of first-*named, and Coast of Capri, Tasso's House at Sorrento, Schack Gallery, Munich.—Kaulen, 147; Schack (1884), 222.
MORGENSTERN, (KARL) ERNST, born
in Munich in 1847. Landscape painter, son
and pupil of Christian, after whose death he
studied under Joseph Schertl; visited the
Bavarian Alps, Tyrol, Switzerland, North
Germany, Holland, and Belgium. Works:
Waldbachstrupp near Ischl, Stettin Museum;
Bären Lake near Hohenaschau; Starnberg
Lake; View on Meisling Lake; Village
View near Dachau; Eytenhausen; North
German Heath; Autumn Landscape with
Chapel; Evening; Abandoned Mill; River
Landscape; Evening, Indian Summer (1883).—Müller,
377.
MORIN, (FRANÇOIS) GUSTAVE, born
at Rouen, April 8 (18?), 1809, died there, Feb.
15, 1886. Genre and history painter, pupil
of Chaumont and of Leon Cogniet. Member
of Rouen Academy; custodian of Rouen
Museum since 1837; L. of Honour, 1863.
Works: Last Hour (1835); Titian preparing
his Colours (1852), Havre Museum; Conquest
of England, Magdalen, Youth of the
Virgin (1848); Ariosto reading his Poem,
Rouen Museum; The Sharpers (1859), Assembly
of Saint-Vivien (1861), ib.—Hédou,
Gustave Morin et son Œuvre (Rouen, 1877);
Chronique des Arts (1886), 61.
MORITURI TE SALUTANT. See Gladiators.
 | An image should appear at this position in the text. To use the entire page scan as a placeholder, edit this page and replace "{{missing image}}" with "{{raw image|Cyclopedia of painters and paintings (IA cyclopediaofpain03cham).pdf/318}}". Otherwise, if you are able to provide the image then please do so. For guidance, see Wikisource:Image guidelines and Help:Adding images. |  |
MORITZ, LOUIS, born at The Hague,
Oct. 29, 1773, died in Amsterdam, Nov. 22,
1850. History and portrait painter, pupil
of Dirk van der Aa. Member of Hague,
Brussels, and Ghent Academies. Works:
Cleopatra taken Prisoner by Proculus (1809);
Victory of Nieuwpoort in 1600 (1818); Figures
in Panorama of
Waterloo; Battle of
Nieuwpoort (1820),
War Council of Civic
Guard in Amsterdam;
Death of Antoninus
Pius, Amsterdam
Museum;
Stable Interior, Rotterdam
Museum;
Night Camp of Cossacks.—Immerzeel, ii.
240; Kramm, iv. 1156.
MORITZ, WILLIAM, the younger, born
at Neuchâtel about 1805, died at Berne in
1860. Genre and portrait painter, pupil of
his father (William Moritz, the elder, landscape
painter?), then studied in Italy.
Works: Henri II. de Longueville ordering
Planting of Avenues at Colombin (1844),
Wounded Chamois Hunter (1846), Neuchâtel
Museum; Empty Cradle (1856), Husband
at the Inn (1858), Berne Museum.
| An image should appear at this position in the text. To use the entire page scan as a placeholder, edit this page and replace "{{missing image}}" with "{{raw image|Cyclopedia of painters and paintings (IA cyclopediaofpain03cham).pdf/318}}". Otherwise, if you are able to provide the image then please do so. For guidance, see Wikisource:Image guidelines and Help:Adding images. | |
MORLAND, GEORGE, born in London,
June 26,
1763, died there,
Oct. 29, 1804.
Figure and animal
painter, son
and pupil of Henry
Robert Morland
(1712-97),
portrait painter,
and grandson of
George Henry
Morland (died after 1789), subject painter;
also studied several years at the Royal Academy,
and copied assiduously the Dutch and
Flemish masters. First exhibited at Royal
Academy in 1779. Became dissipated, and
died in a sponging-house. Painted chiefly
country scenes with domestic animals, and
enjoyed a high reputation. Works: Interior
of Stable, Quarry with Peasants, National
Gallery; The Reckoning, South Kensington
Museum; his own portrait, National Portrait
Gallery, London; Dogs fighting, Old
