- ing Bishop Ronnov against the Citizens of
Copenhagen (1838); Luther at Worms, Church of Holy Ghost, Copenhagen; Christ and the Disciples at Emmaus (1839); Presentation in Temple (1841); Christ and Four Evangelists, Thorwaldsen Museum, Copenhagen; Magdalen at Feet of Christ; Return of Prodigal Son (1843), Copenhagen Gallery.—Weilbach, 495.
MÜLLER, ANDREAS, born at Stephans-Rettenberg,
Bavaria, in 1830. History
painter, pupil in Munich of Schwind; in
1856 accompanied the Duke of Saxe-Meiningen
to Rome, and in 1875 became professor
at Munich Academy. In artists' circles
called Composition-Müller. Works: Apotheosis
of Meiningen Princess (1856); Destruction
of the Kaaba in Jerusalem by Mohammed.
Wedding of Alexander the Great,
Maximilianeum, Munich; Entry of Elector
Maximilian Joseph IV.; King Maximilian I.
rescuing Glazier's Apprentice in 1801; Madonna
with Angels; Susanna; Four Ages
of the World. Frescos: Raising of Lazarus,
Crucifixion, Holy Women at Sepulchre, Resurrection,
Church at Weissenhorn, near
Augsburg.—Grosse, 69, 109; D. Kunstbl.
(1857), 264, 295; Illustr. Zeitg. (1881), i.
272; Kunst-Chronik, xvii. 309; xix. 731;
Müller, 381; Nagler, Mon., i. 3; Zeitschr.
f. b. K., v. 24.
MÜLLER, ANDREAS (JOHANN JAKOB
HEINRICH), born in Cassel, Feb. 9,
1811. History painter, son and pupil of
Franz Hubert Müller, who was inspector of
the Darmstadt Gallery, then pupil in Munich
of Schnorr and Cornelius, and in Düsseldorf
of Karl Sohn and Schadow. Went to Italy
in 1837, and on his return in 1842 painted
some of the frescos in the Apollinaris Church
at Remagen, and afterwards, assisted by his
son Franz, decorated the art-room in the
Castle of Sigmaringen. Is a master in restoring
old paintings, and has written on art.
Was professor at Düsseldorf Academy, and
conservator of art-collections in Düsseldorf,
but has been an invalid since 1882. Member
of Vienna, Amsterdam, and Lisbon
Academies; numerous orders and medals.
Works: Madonna with Saints; Annunciation,
Four Evangelists; Scenes from Passion;
Rosary Picture; St. Barbara, Breslau Cathedral.
Frescos: Scenes from Life of St.
Apollinaris, David, St. Cecilia, Remagen;
twenty-six portraits of German Masters,
Castle Sigmaringen.—Jordan (1885), ii. 156;
Müller, 381; Wolfg. Müller, Düsseldorf. K.,
48.
MÜLLER, AUGUST, born at Rottwell,
Würtemberg, June 13, 1836. Genre painter,
pupil of Stuttgart Art-School under Rustige,
won several prizes and in 1865 settled
in Munich. Works: Sunday Afternoon in
Suabia; Nursery; Convalescent Mother;
Domestic Troubles; Suitor; At Home; In
the Bower; Zur Kirchweih.—Müller, 382.
MÜLLER, CHARLES (LOUIS), called
Müller of Paris, born in Paris, Dec. 22,
1815. History and portrait painter, pupil
of Cogniet, Gros, and the École des Beaux
Arts. Paints historical scenes with skill.
Medals: 3d class, 1838; 2d class, 1846; 1st
class, 1848, 1855; L. of Honour, 1849; Officer,
1859; Member Institute, 1864.
Works: Day after the Nativity (1837);
Martyrdom of St. Bartholomew (1838);
Assassination of Arthur of Brittany, Diogenes,
St. Jerome (1839); Satan leading
Christ up into the Mountain, Massacre of
Innocents (1840); Heliogabalus in Rome
(1841); Combat of Centaurs and Lapiths
(1853); Christ's Entry into Jerusalem
(1844); Primavera (1846); Haydee (1848),
Lille Museum; Lady Macbeth (1849),
Amiens Museum; Roll-Call of Last Victims
of Reign of Terror (1850), formerly
in Luxembourg Museum; replica, J. J.
Astor, New York; Female Portrait (1853,
Ghent Museum; Proscription of Young
Irish Catholics in 1556 (1859), Lyons Museum;
Mother of Napoleon (1861); Marie
Antoinette at the Trianon, Mass during
Reign of Terror (1863); The Game (1863),
Lille Museum; Desdemona (1868); Lanjuinais
at the Tribune (1869); Charlotte Corday
in Prison (1875), Corcoran Gallery, Wash-
