Gallery, Berlin; Cows at Pasture, Ploughing Oxen (1866), Cow-Stable, Cows near Toques, Deer at the Fairy Pond (1863), On the Way Home, Stags before the Fight, Critical Moment, Rochers de St. Christy, Street in Toques on Market-Day, two Pictures with Apostles (1874); On Stinitz Lake in Autumn (1884); Locked out (Jubilee Exhibition, Berlin, 1886).—Jordan (1885), ii. 161; Müller, 398.
O'CONNELL, FRIEDERIKE (née Miethe),
born at Potsdam, March 22, 1823, died
in Paris in October, 1885. Portrait painter,
pupil in Berlin of Herbig and of Karl Begas,
then at Brussels (1842) of Gallait; in
1844 she married, and after separation from
her husband settled in Paris, where her portraits
found great favor. In 1871 she lost
her reason and was sent to an insane asylum.
Gold medal, Brussels, 1851. Works:
Humiliation of Richelieu; Charlotte Corday;
Charity; Venus served by Cupids;
Portraits of herself, of Rachel (1853); Peter
the Great and Catherine, Maria Theresa
and Frederic the Great (1853), Lady's Portrait,
National Gallery, Berlin.—Jordan
(1885), ii. 162; Chronique des Arts (1885),
262; Gaz. des B. Arts (1860), v. 349.
O'CONNOR, JOHN, born in England;
contemporary. Architecture painter. Works:
High Level Bridge—Newcastle-on-Tyne,
Newcastle-on-Tyne—Morning (1877); Granada
and the Alhambra, Patio de la Mesquita—Alhambra,
Patio los Cypresses—Alhambra,
Staircase of Burgos Cathedral, Las
Torres Bermayas (1879); Waterloo Bridge
(1880); Verona, do. from Piazza Dante
(1881); Palladio's Piazza—Vicenza, Palladian
Architecture—Vicenza (1882); Amiens
Cathedral, Nuremberg—from Castle, Windsor—from
St. Leonard's Hill (1883); View
from Pentonville (1884).
OCTOBER AFTERNOON—LAKE
GEORGE, John Frederick Kensett, Corcoran
Gallery, Washington; canvas, H. 4 ft.
× 6 ft. An open foreground of rocks and
fallen trees, with wooded headlands, sloping
to the island-dotted lake, and high mountains
in background; in left foreground,
cattle and a rustic bridge. Painted in 1864.
Exhibited at Sanitary Fair, New York, in
1864, and at Exposition universelle, Paris, in
1867. Olyphant sale, 1877, $6,300.
ODALISQUE, Dominique Ingres, Baron
Seillière, Paris. Nude, reclining on cushions
with her back to the spectator, with
head turned to show face. Her head is
covered with a Cashmere turban, and she
has a fan of peacock's feathers in her left
hand. Painted in 1814. Salon, 1819. Engraved
by Alès. Paris, Metzmacher. Lithographed
by Ingres (1825); Sudre.—Ch.
Blanc, Life, 26.
By Sir Frederick Leighton, Robert Leake Eccles, Manchester; canvas. The attendant of the ladies of an Eastern harem, leaning languidly on the marble parapet of a basin and gazing wistfully at a swan, which seems to recognize her. Royal Academy, 1861. Engraved by Lumb Stocks.—Art Journal (1876), 28.
ODALISQUE WITH SLAVE, Dominique
Ingres, M. Marcotte, Argenteuil. Nearly
nude, reclining on cushions, in a posture
indicating ennui; at her feet a young
Abyssinian slave, seated, playing on a mandolin;
in background, a black eunuch,
standing. Painted at Rome in 1839. Original
sketch, Émile Galichon, Paris. Engraved
by Haussoullier.—Ch. Blanc, Life,
106, 113.
ODERIGI D'AGOBBIO, or ODERISIO,
of Gubbio, died in Rome about 1299. Bolognese
school; a miniature painter, of
Gubbio in 1264-65, at Bologna in 1268,
and at Rome in 1295. Rescued from oblivion
by Dante, who calls him in the Purgatorio
(xi. 79) Agobbio's glory. Vasari
says he lived in close friendship with Giotto
in Rome. No certain pictures by him
are known to exist, but the miniatures in
two masses in the Archivio de' Canonici di
S. Pietro, Rome, are presumed to be his.—C.
& C., Italy, ii. 182; Vasari, i. 321; Baldinucci,
iv. 176; Ch. Blanc, École bolonaise,
Introd. v.; Cibo, 11.
