Alcantara, with cloak and stiff linen collar; folded letter in right hand. Purchased with Modena Gallery in 1746. Repetitions with changes: Hermitage, St. Petersburg; Marquis of Lansdowne, London; Francis Clare Ford, London. Engraved with variations by H. Panneels; P. Pontius; Cor. Gallæus; F. Navarro; M. Merian; P. de Jode; Moncornet; L. Noseret.—Curtis, 72.
By Velasquez, Mrs. Henry Huth, Wykehurst, Surrey, England; canvas, H. 6 ft. 9 in. × 3 ft. 7 in. Standing, full-length, with bare head, wearing an embroidered black dress, with green cross of Alcantara, and a short cloak; left hand on his sword; right, holding a wand, rests on a table; red drapery in background. Repetitions: Robert S. Holford, London; Hermitage, St. Petersburg.—Curtis, 71; London Illust. News, May 21, 1853.
By Velasquez, Madrid Museum; canvas, H. 10 ft. 3 in. × 7 ft. 10 in. On a chestnut horse galloping to left; dress, a steel cuirass, sombrero, crimson scarf, and long boots; points with a baton to a battle raging in background. Painted about 1640; passed from house of Guzman to the Marquis de la Ensenada, from whom purchased by Charles III. Etched by F. Goya; B. Maura. Lithographed by J. Jollivet; E. C. Cos. Repetition (white horse), Earl of Elgin, Broom Hall, Fife, Scotland. Sketches: Duc de Montpensier, Seville; Sir Richard Wallace, London.—Palomino, iii. 332; Gaz. des B. Arts (1880), xxi. 529; Gal. Esp.; Curtis, 70; Madrazo, 611.
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OLIVER, ISAAC, born in 1556, died in
London about 1617. Pupil of Nicholas
Hilliard and of Zucchero; attained eminence
as a miniature painter, his works being
compared to those of Holbein. He
painted
Queen Elizabeth,
Mary
Queen of Scots, Prince Henry, Ben Jonson,
a full-length of Sir Philip Sidney (Windsor
Castle), and other noted persons; also, in
oil, portraits of himself and family. His
son and pupil Peter (1601-60) surpassed
him in his miniatures, many of which are
in old collections.—Redgrave.
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OLIVIÉ, LÉON, born at Narbonne (Aude); contemporary. Genre painter, pupil of Coedès and Cogniet. Medal, 3d class, 1876. Studio in Paris. Works: Woman Singing, The Brother Tailor, Monk Praying (1874); The Question, A Fisherman of the Seine (1876); Brutus's Oath over the Body of Lucretia (1878); Arab Merchant in Paris (1881); Palm Sunday in Étretat (1883); New-Born, Under the Sideboard (1884); A Duty (1885); Falstaff and Doll Tear-Sheet, W. B. Bement, Philadelphia.
OLIVIER, (JOHANN HEINRICH) FERDINAND
VON, born at Dessau, April 1,
1785, died in Munich, Feb. 11, 1841. History
and landscape painter, pupil of K. W.
Kolbe and Haldenwang, then in Dresden
of Jakob Mechau; went in 1807 to Paris,
in 1811 to Vienna, having returned to Dessau,
in 1810, and in 1833 became professor
and secretary-general at Munich Academy.
Works: Pilgrims' Procession thro' the
Woods (1814), Städel Gallery, Frankfort;
Franciscan Monastery near Salzburg (1826),
Leipsic Museum; Equestrian Portrait of
Napoleon, Dessau; Baptism of Christ, Last
Supper, Gothic Church Wörlitz; The Scouts
with the Grapes of Canaan, Landscape (master-piece),
Basle Museum; Replica of latter
(1840), Raczynski Gallery, Berlin. His
brother Heinrich (born in 1783, died in
Berlin, March 3, 1848), followed the same
course of study, accompanied him to Paris,
and with him painted the portrait of Napoleon,
and several historical pictures for the
Duke of Anhalt, among which are the two
in the Gothic Church at Wörlitz.—Cotta's
Kunstbl. (1839), 17; Hagen, i. 328; Nagler,
x. 340; 344; N. Necrol. d. D. (1841),
204; Söltl, 249.