français; Niquet.—Cat. Louvre; Filhol, i. Pl. 10; Landon, vi. Pl. 70; Smith, viii. 145.
By Rubens, Madrid Museum; canvas, H. 6 ft. × 8 ft. Scene in Hades. Pluto upon his throne, with Proserpine by his side, and Cerberus lying at his feet; on opposite side, Orpheus with his lyre, followed by Eurydice, nearly undraped; before them is the open portal of Hades, and beyond it the Styx.—Smith, ii. 136; Madrazo.
By George Frederick Watts, London; canvas, H. 5 ft. 10 in. × 3 ft. 4 in. Orpheus, too impatient to wait until Eurydice is out of the portals of Hades, turns back to look at her, when, though he drops his lyre and encircles her with his arm, she is snatched back into the gloom of the nether world. Painted in 1879. Grosvenor Gallery, 1882; then much repainted and exhibited in New York in 1884.
ORRENTE, PEDRO, born at Montealegre,
Murcia, about 1570, died in Toledo
in 1644. Spanish school; animal and landscape
painter, probably pupil of El Greco;
called the Spanish Bassano because he imitated
the manner of Bassano, painting chiefly
scriptural subjects in which animals could
be introduced. Worked in Toledo, Murcia,
Valencia, Cuença, Madrid, and Seville. Was
much patronized by the Duke of Olivárez.
Works: Sacrifice of Isaac, Lot and Family,
Calvary, Adoration of Shepherds, and four
others, Madrid Museum; Jacob lifting the
Stone from the Well, Dresden
Museum; Multiplication
of the Fishes, Hermitage,
St. Petersburg; Christ
healing the Sick, St. John
the Baptist, Herds and Shepherds
(?), Vienna Museum.—Stirling, i. 503;
Ch. Blanc, École espagnole; Madrazo, 492;
Viardot, Notices, 166.
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ORSEL, VICTOR, born at Oullins, near Lyons, May 25, 1795, died there, Oct. 31, 1850. History painter, pupil at Lyons of Pierre Revoil, and in Paris of Guérin; studied in Rome, where, under the influence of Veit and Overbeck, he strove to imitate the spirit of the Pre-Raphaelite painters in his religious pictures. Medals: 2d class, 1822; 1st class, 1831. Works: Hagar presented to Abraham by Sarah (1820), Adam and Eve finding Body of Abel (1824), Lyons Museum; Magdalen (1827); Moses presented to Pharaoh (1831), Lyons Museum; Good and Evil (1833, bought by State); Prodigal Son; Abraham and Hagar; Charity; Portrait of Francis I.; Rich and Poor (1844); Votive Picture, Church of Fourvières, Lyons; David and Bathsheba; Bathsheba coming from Bath; Decorations in Virgin's Chapel in Notre Dame de Lorette, begun in 1836, and finished after his death by Perin.—Bellier, ii. 177; Ch. Blanc, École française.
ORSI, LELIO, called Lelio da Novellara,
born at Reggio (?) in 1511, died at Novellara,
May 3, 1587. Lombard school; supposed
disciple of Correggio, and by tradition
of Giulio Romano; was a great painter
and architect. Executed frescos in S. Domenico,
S. Bartolommeo, S. Giovanni, and
the Carmine, Reggio, and in the fortress of
Novellara. A Nativity by him is in the Palazzo
Pitti, Florence, and other works in the
Darmstadt, Munich, Modena, and Parma
Galleries. In the Vienna Museum is an Allegory
on Gentleness.—Lanzi, ii. 356; Ch.
Blanc, École lombarde; Burckhardt, 701;
Lavice, 65, 253.
ORTLIEB, FRIEDRICH, born in Stuttgart
in 1839. Genre painter, pupil of Stuttgart
Art School, then in Berlin of Steffeck,
and settled in Munich in 1869; paints mostly
humorous scenes. Works: Undesired
Visit; Under Pious Protection; Sunday-School;
Bad Quarters; Critical News; Return
from Fair; Soldiers are Coming! At
a Sick Friend's; On Furlough; Sunday
Afternoon in Suabia.—Müller, 401.
ORTOLANO, L', born at Ferrara about
1467 (?), died there in 1525. Lombardo-Ferrarese
school; real name Giovanni Battista
Benvenuti, but called Ortolano (Gardener)
from his father's occupation. Studied at
Ferrara and afterwards at Bologna under