- seus and Andromeda, Cassel Gallery; Presentation
of Mary, St. Sebastian, Crucifixion of St. Andrew, Dresden Museum; Marriage of St. Catherine, Triumph of David, Conversion of Saul, Madrid Museum; Pietà (3, one dated 1600), Nativity, Ecce Homo, Scourging of Christ, Old Pinakothek, Munich; Death of St. Sebastian, Schleissheim Gallery; Death of Abel, Daughter of Herodias, Pietà (3), The Dead Christ held by Angels, Immaculate Conception, St. John and the Angels of the Apocalypse, Truth and Justice, Vienna Museum; Madonna with Saints, Naples Museum.—Ch. Blanc, École vénitienne; Vasari, ed. Le Mon., xiii. 45; Burckhardt, 751.
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PALMAROLI, Don VICENTE, born in
Madrid in 1835.
Genre and portrait
painter, pupil
of Madrazo
and of San Fernando
Academy,
and in 1857 continued
his studies
in Rome. His
style resembles
partly that of Fortuny
and partly
that of Meissonier. Member of S. Fernando
Academy, director of Spanish Academy in
Rome since 1872. Medals: Paris, 2d class,
1867; Madrid, 1871. Works: October Festival
(1862); S. Ildefonso; Sermon in Sistine
Chapel (1866); Trasteverines in the
Colonnade of St. Peter's; Burial of the Victims
of May 3, 1808 (1871), City Hall, Madrid;
The Widow's Tears; Lucky Accident
(1883); Confession, Jealous Clown (1884);
The Rising Tide, William Astor, New York;
Petit Lever—La Bouchée du Cardinal, M.
Graham, ib.; New Volume, W. Rockefeller,
ib.; Girl Reading, R. G. Dun, ib.; Listener,
Connoisseur, T. R. Butler, ib.; Souvenir of
Granada, Colonel Bennett, ib.; Girl Reading,
H. V. Newcombe, ib.; Convalescent, E.
B. Warren, Philadelphia; Garden Scene,
Hurlbut Collection, Cleveland; Pompeiian
Woman's Toilet, Pretty Model, Sketching on
the Sea-side, H. Dousman, St. Louis; Reverie,
Beautiful Marchioness, S. A. Coale,
ib.; Hiding Abelard, Charles Parsons, ib.—La
Ilustracion, 1873; (1883), i. 122; (1884),
i. 267, 378; Zeitschr. f. b. K., xix. 317.
PALME, AUGUSTIN, born at Rochlitz,
Bohemia, in 1809. History painter, pupil
of Prague Academy, then of Schnorr in Munich,
whither he returned after having studied
in Rome. Works: Exposure of Moses
(1839); Conversion of St. Norbert; Establishment
of St. Norbert's Order in Austria;
St. Colman; The Virgin crushing the Serpent's
Head. Fresco: Legend of the 14
Saints, Vierzehnheiligen, Franconia; Sketch
for this in Bamberg Gallery.—Cotta's Kunstbl.
(1848), 140; D. Kunstbl. (1850), 55, 114;
Förster, v. 104; Wurzbach, xxi. 245.
PALMER, SAMUEL, born in Walworth,
Surrey, in 1805, died in 1881. Water-colour
painter and engraver, pupil of antique
school of British Museum, and studied in
Italy. Works: Evening Bell; Dream on
the Appennines (1864); St. Paul landing in
Italy (1868); Coliseum; Old Castle at Twilight;
Fall of Empire (1871); Waterfall
in Shadow; Golden City (1873); Sunday
Evening in Old England.—Academy (1881),
i. 420; Athenæum (1881), 728, 757; Varley,
Memoir (London, 1882); Hamerton.
PALMER, WALTER L., born in Albany,
N. Y.; contemporary. Landscape and still-life
painter, son of the sculptor, Erastus D.
Palmer; studied in Paris. Exhibits at National
Academy and the Society of American
Artists. Studio in Albany. Works:
Interior, Montigny-sur-Loing (1878); Sir
Frederick Leighton's Hall, T. B. Clarke,
New York; Dining-Room at Appledale
(1879); June, an Interlude (1880); Off
the Public Gardens in Venice, Dudley Olcott;
Dining-Room Interior (1882), Morris
K. Jesup, New York; End of an October
Day (1883); Upper Hudson, Studio Interior
(1884).
PALMERUCCI, GUIDO, born at Gubbio,
near Perugia, in 1280, died about 1345.
