of Handeck (1850), Falls of Schaffhausen (1866), National Gallery, Berlin; Swiss Landscape (1852), Ravené Gallery, ib.; Wood Interior, Provinzialmuseum, Hanover; Lake of Brienz, Montreux on Lake of Geneva, Lake of Luzerne, Wood Landscape, Stettin Museum; Riviera di Levante, Swiss Landscape (Jubilee Exhibition, Berlin, 1886).—Jordan (1885), ii. 166; Müller, 406; Rosenberg, Berl. Malersch., 345.
PAPELEU, VICTOR DE, born at Ghent,
Feb. 10, 1810, died there in 1881. Landscape
painter, pupil in Paris of Jules Dupré
and of Achille Benouville, after having studied
law and travelled all over Europe, and
spent several years in the East and in Italy.
Lived mostly in Paris, and in 1874 gave a
special exhibition of his works at the Cercle
de l'Union artistique. Works: Views in
the Landes (1857, 1859, 1861, 1867); Downs
of Pas-de-Calais (1859); Marina grande in
Capri (1865); Naples and Bay of Salerno
(1866); Sunrise on Coast of St. Raphael
(1868); several other Views about St. Raphael
(1869, 1870, 1872, 1878); Var Valley
near Nice (1874); The Meuse at Dordrecht,
Boulevard de la Madeleine (1875); Interior
Port of Ghent (1876); Low Tide in September
(1877); Entrance to Harbour of Ostend,
Villiers-sur-Morin in Autumn (1879);
Coast of Finistère (1880).—Bellier, ii. 198;
Meyer, Conv. Lex., xx. 758.
PAPETY, DOMINIQUE (LOUIS FÉRÉAL),
born at Marseilles, Aug. 12, 1815,
died there, Sept. 19, 1849. Genre painter,
pupil of Léon Cogniet and of the École des
Beaux Arts, where he won the grand prix
de Rome in 1836. Made many sketches in
Italy and Greece, and gave promise of a brilliant
future, which was cut short by an early
death. Works: Saving of Moses (1838);
Council of the Gods (1841, copy of Raphael's
fresco); Dream of Happiness (1843);
St. Hilarion (1844); William of Clermont
defending Ptolemaïs (1845), Versailles Museum;
Madonna Consolatrix (1846), Italian
Types, Marseilles Museum; Solon dictating
his Laws (1846); Serenade to the Madonna,
Nantes Museum; Finding of Moses, Story
of Telemachus (1847), Leipsic Museum;
Monks discovering a Chapel on Mt. Athos
(1847); Portrait of the Architect Vivenel.—Larousse;
Bellier, ii. 198.
PAPPERITZ, GUSTAV FRIEDRICH,
born in Dresden, Jan. 27, 1813, died there,
Jan. 26, 1861. Landscape and genre painter,
pupil of Dresden Academy under Clausen-Dahl,
then studied in Munich, and visited
Italy and Spain. Works: Valley of
Elche in Spain (1857), Dresden Gallery;
View near Laubegast on the Elbe, Leipsic
Museum; Ruin of Petersberg near Halle;
Sicilian Pilgrimage Scene; Anniversary Day
of Sedan (1875).—D. Kunstbl. (1850), 55;
Nagler, Mon., ii. 1037; Illustr. Zeitg. (1876),
ii. 196.
PARADISE (Printemps, Spring), Nicolas
Poussin, Louvre, Paris; canvas, H. 3 ft. 10
in. × 5 ft. 3 in. In a rich landscape, near a
mass of rocks and a cascade, Adam is seated
on the turf, while Eve, upon one knee, takes
him by the arm and points to the tree of
knowledge. Above, at right, the Father
Eternal upon clouds. One of a series of
four painted in 1660-64 for Duc de Richelieu,
whence passed to Louis XIV. Engraved
by J. Audran.—Filhol, iv. Pl. 256;
Landon.
By Tintoretto, Louvre; canvas, H. 4 ft. 8 in. × 11 ft. 10 in. Christ in glory crowns the Virgin; on each side, the apostles; below, in order, the evangelists, fathers, and doctors of the church, virgins, confessors, and martyrs. This picture is not a sketch for the famous Paradise of the Palazzo Ducale, Venice.—Villot, Cat. Louvre.
By Tintoretto, Palazzo Ducale, Venice; canvas, 30 ft. × 74 ft. The largest oil-painting in the world, containing more than 400 figures; on the only one of the four walls of the Sala del Maggiore Consiglio which is not pierced by windows. In the centre is Christ, leaning on the globe of the earth, crowned with a glory which lights all the picture, descending through circle beneath circle of cloud and of flying spirits.
