the Virgin, Jacob and Laban, Holy Family, Madonna and St. Martina, and others, Louvre; Madonna with Saints, Brera; Christ and the Magdalen, Holy Family, Martyrdom of St. Stephen, and others, Hermitage.—Ch. Blanc, École ombrienne; Burckhardt, 253, 258, 278, 767, 771; Seguier, 48.
PIETRO, GIOVANNI DI. See Spagna.
PIETRO DI LORENZO. See Lorenzetti.
PIGLHEIM, (ELIMAR ULRICH) BRUNO,
born in Hamburg, Feb. 19, 1848. History
and genre painter, pupil of Weimar
Art-School under Pauwels, and in Munich of
Wilhelm Diez. Began as a sculptor, pupil in
Hamburg of Lippelt, and of Dresden Academy,
then visited Italy and took up painting.
Works: Domestic Happiness; Day
and Night; Moritur in Deo (1879).—Müller,
417; D. Rundschau, xx. 457; Illustr.
Zeitg. (1881), i. 310; K. f. Alle, i. 58; Allgem.
K. C., ix. 287.
PIGNEROLLE, CHARLES MARCEL
DE, born at Angers about 1815. Genre
and portrait painter, pupil of Cogniet.
Medals: 2d class, 1848, 1855. Works:
Pilgrimage to Notre Dame de Lorette (1847),
Orléans Museum; Inundation Scene in the
Campagna (1855); Raphael painting Portrait
of Princess of Aragon (1859); Vintage
at Naples (1861).—Bellier, ii. 273.
PILGRIMS, EMBARKATION OF, Robert
W. Weir, rotunda of Capitol, Washington;
canvas, H. 12 ft. × 18 ft. The Pilgrim
Fathers embarking at Delft Haven for Southampton,
July 22, 1620. Painted in 1845 for
$10,000. Engraved on back of $50 United
States national bank note.
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PILLE, CHARLES HENRI, born in Essommes
(Aisne), contemporary. History
and genre painter, pupil of Barrias; known
since 1864 by his clever pen-and-ink sketches,
and his humorous, well-painted genre
pictures. Medals: 1869; 2d class, 1872;
L. of Honour, 1882. Works: Sybille de
Clèves haranguing the Defenders of Wittemberg
(1868); Sancho Panza before the
Duchess, Tavern at Todtenau (1870); Autumn
(1872); Matrimonial Harmony, The
First-Born (1873); Pardon near Guémené
(1874); Reading the Decree of Feb. 24,
1793, in Brittany,
Market at Antwerp,
Old Clothes (1875);
Morning Interview,
Intemperance, Sobriety
(1876); Tavern
(1877); Coquelin
as Fritz (1878); Don
Quixote (1879);
Woods of Sandraie
(1880); Three Jugs
(1881); Gustave Jundt (1882); The Body-Guard
(1883); Portrait of Benjamin-Constant
(1884); Temptation (1885).—Gaz. des
B. Arts (1868), xxv. 17; Meyer, Gesch., 680.
PILLEMENT, JEAN, born at Lyons in
1727, died there, April 26, 1808. French
school. Landscape and marine painter,
first instructed in his native city, then studied
in Paris and for a time was employed as
a designer in the Gobelins factory; went to
London, where he met with great success,
and visited Germany (1767), and Portugal.
He was painter to the king of Poland and
to Marie Antoinette. Works: Bridge over
Torrent, Storm, Fishing Scene, Shipwreck,
Besançon Museum; Rustic Bridge on Rocks,
Lyons Museum; Cascade among Rocks, five
others (two dated 1791, 1792), Montpellier
Museum; Two Landscapes, Bordeaux Museum;
do., Madrid Museum; Agitated Sea
on Rocky Coast, Burning Castle by Moonlight,
Liechtenstein Gallery, Vienna.—Bellier,
ii. 273; Nagler, xi. 308.
PILLIARD, JACQUES, born in Vienne
(Isère) in 1814. Religious painter of repute,
pupil of Orsel and Bonnefond. Medals: 3d
class, 1843; 2d class, 1844, 1848. Works:
Virgin Fainting (1843); Christ with Martha
and Mary (1844); Raising of Jairus's Daughter
(1848).—Gaz. des B. Arts (1859), ii. 273;
Larousse.
PILOTY, FERDINAND, born in Munich,
Oct. 9, 1828. History and genre painter,
brother of Karl von Piloty, pupil of Munich
Academy under Karl Schorn, and greatly
