his early education. He failed to rise to the level of Carpaccio, and never attained superior distinction, yet he held an honourable position in his guild in Venice. Among his works are: Madonna with Saints and Donor in the lunette of a side door of the S. M. e Donato, Murano, signed and dated 1484; Coronation of the Virgin, Lochis Carrara Gallery, Bergamo; Entombment, S. Antonio, Venice; the Gift of the Relic and the Miracle of the Holy Cross, Venice Academy; Annunciation, Correr Museum, Venice; Glorification of St. Veneranda, Vienna Academy.—C. & C., N. Italy, i. 215; Ch. Blanc, École vénitienne; Vasari, ed. Le Mon., vi. 86, 97, 98; Meyer, Künst. Lex., iii. 113.
BASTIANINO, IL. See Filippi, Sebastiano.
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BASTIEN-LEPAGE, JULES, born at
Damvillers, Meuse,
Nov. 1, 1848, died in
Paris, Dec. 10, 1884.
History and portrait
painter, pupil of Cabanel.
Medals: 3d class,
1874; 2d class, 1875;
3d class, 1878; L.
of Honour, 1879.
Works: Song of
Spring, Portrait of
my Grandfather
(1874); Communicant
(1875); Adoration of Shepherds, Portrait of
M. Wallon (1876); Portrait of my Parents,
do. of André Theuriet (1877); Hay Harvest
(1878); Portrait of Sarah Bernhardt (1879);
Potato Harvest (1879); Joan of Arc, Erwin
Davis, New York; Village Love, Ripe Grain,
October (1883); The Forge (1884), Albert
Wolff.—Montrosier, Artistes modernes, iii.;
Meyer, Künst. Lex., iii. 116; Müller, 29;
Kunst-Chronik, xx. 235.
BATES, DEWEY, born in Philadelphia,
Pa., in 1851. Genre and portrait painter;
studied at Royal Academy, Antwerp, and at
École des Beaux Arts, Paris, under Gérôme.
Studio in Philadelphia; was in London in
1883. Works: Little Jannetje, Dutch Comfort
(1875).
BATH, AFTER THE, Jean Léon Gérôme,
Wm. Astor, New York; canvas, H. 3 ft. × 2
ft. A female figure, nude, sitting, back to the
spectator, at the edge of the bath, in the
water of which her form is reflected, with a
narghileh beside her; another figure, partly
draped, sitting at left, and two others in
background. Photogravure in Art Treasures
of America, ii. 71.
BATH, YOUNG ROMAN'S, Charles
Gleyre, Charles S. Smith, New York; canvas,
H. 3 ft. × 2 ft. A beautiful female slave,
partly draped, lifts a babe into an alabaster
font, in a Roman impluvium, on the opposite
side of which, nearly in profile, stands a nude
maiden, resting her hands on the rim of the
basin, and contemplating the young Roman
with admiration. Photogravure in Art
Treasures of America, ii. 88.
BATHSHEBA AT THE BATH, Francia
Bigio, Dresden Gallery; wood, H. 2 ft. 8 in.
× 5 ft. 7 in.; signed, dated 1523. David sees
Bathsheba in the bath, while Uriah sleeps
on the balcony of his house; on the other
side, the sending of Uriah with the letter.—Cat.
Dresden Gal.
Subject treated also by Rembrandt, Steengracht Collection, Hague; Cornelis van Haarlem, Berlin Museum; Jan Frans van Douven, Cassel Gallery; Bernardo Strozzi, Dresden Gallery; Carlo Maratti, Leichtenstein Gallery, Vienna.
BATTAGLIA, DIONISIO, flourished in
Verona about 1547. Probably pupil of
Francesco Torbido, to whose style his pictures
bear so close a resemblance that they
have often been mistaken for them.—Meyer,
Künst. Lex., iii. 123; Bernasconi, Studj.,
301.
BATTEM, GERARD VAN, second half
of 17th century. Dutch school; landscape
painter; apparently took Ph. Wouwerman
for his model; said to have lived at Rotterdam.
Works: Hilly Landscape with Figures,
Meiningen Gallery; do., Schleissheim
Gallery.—Meyer, Künst. Lex., iii. 125.
