ii. 435; Ch. Blanc, École lombarde; Burckhardt, 738; Rio, iii. 359.
CAMPI, BERNARDINO, born in Cremona
in 1522, died there about 1590. Lombard
school; son of Pietro Campi, a goldsmith,
of the same family as Galeazzo;
pupil of Giulio Campi, and of Ippolito Costa
at Mantua, where he studied the works of
Giulio Romano, as also afterwards those of
Correggio in Parma, Modena, and Reggio.
After successfully imitating the manner of
these painters, he formed a vigorous and
brilliant style of his own. He painted
many excellent portraits. Became among
the Campi what Annibale Carracci was in
his family, and received commissions from
all the neighbouring cities. His most important
works are in S. Sigismondo, Cremona,
where he painted (1570-71) in the
great cupola many figures from the Bible,
representing the concourse of the blessed.
His many works are described by his biographer
Alessandro Lamo.—Lanzi, ii. 437;
Ch. Blanc, École lombarde; Burckhardt,
738; Kugler (Eastlake), 495.
CAMPI, GALEAZZO, of Cremona, born
in 1477, died in 1536. Lombard school;
style formed on that of Boccaccino. His
Raising of Lazarus (1515), now in Casal
Maggiore, is quaintly treated with sentimental
realism. Other pictures of his are
the St. Christopher (1516), in S. Sigismondo
and the Madonna in S. Sebastiano, Cremona;
Portrait of the Artist, Uffizi, Florence.
Galeazzo was the father of Giulio, Antonio,
and Vincenzo Campi.—C. & C., N. Italy, ii.
447; Vasari, ed. Mil., vi. 496; Ch. Blanc,
École lombarde; Burckhardt, 738; Rio, iii.
377.
CAMPI, GIULIO, born in Cremona about
1500, died there in 1572. Lombard school;
son and pupil of Galeazzo Campi, afterwards
pupil of Giulio Romano at Mantua, and
later studied Raphael and the antique at
Rome. Became the founder of the eclectic
school of painting at Cremona. Distinguished
both as a painter and an architect.
S. Margherita, Cremona, is almost wholly
decorated with his pictures. He painted
also St. Jerome in the Cathedral, Mantua;
Pentecost (1546), S. Sigismondo, Cremona;
Christ before Pilate, Cathedral of Cremona;
Crucifixion, S. M. della Passione, Milan;
and Conversion, Baptism, Miracles, and
Death of St. Paul, S. Paolo, Milan; Madonna
with Saints (1527), high altar, S.
Abbondio, Cremona; (Frescos 1547), S. Margherita,
Cremona, Castelbarco Gallery, Milan,
picture dated 1530.—Lanzi, ii. 432;
Vasari, ed. Mil., vi. 496; Ch. Blanc, École
lombarde; Burckhardt, 738; Rio, iii. 380.
CAMPI, VINCENZO, born in Cremona
before 1532, died Oct. 3, 1591. Lombard
school; youngest son of Galeazzo, and
brother and pupil of Giulio Campi. Good
painter of portraits and of still life. Aided
his brothers, in S. Paolo, Milan, and in
other churches. Pictures in the Brera,
Milan; Descent from Cross, Cathedral of
Cremona.—Vasari, ed. Mil., vi. 496; Lanzi,
ii. 436; Ch. Blanc, École lombarde.
CAMPUZANO, Don TOMAS; contemporary.
Landscape painter; Medal, Madrid,
1883. Works: In the Bay (1881); Beach
of Vivero (1883); The Tajo at Lisbon; The
Tajo at Belem (1884).—La Ilustracion
(1881), i. 419; ii. 65; (1883), i. 123; (1884),
ii. 219.
CAMUCCINI, VINCENZO, Cavaliere, born
in Rome in 1773-75, died there, Sept. 2.
1844. Italian school; history and portrait
painter; pupil of his brother Pietro, a picture
restorer, and of Bombelli the engraver,
but formed himself chiefly by copying the
old masters. Stimulated by the arrival of
David at Rome, he painted, in the classic
manner, a series of pictures illustrative of
Roman history, as well as many religious
subjects, which won him reputation. He
was also eminent as a portrait painter,
among his sitters being Pius VII., the King
and Queen of Naples, Countess Schouvaloff,
Countess de Diedrichstein, Duc de Blacas,
and other notable persons. He was inspector-general
of the pontifical museums, and of
the factory of mosaics, and of the Neapoli-
