died between 1662 and 1664. Dutch school; probably of German origin, judging from his name, Ceulen (i.e., Cologne). First style thoroughly Dutch, afterwards mingled with Flemish influence, through Van Dyck, with whom he painted for eight years at court of Charles I. Went to England in 1618, reign of James I., and remained until 1648, when he settled at Utrecht. Works: Magistrates (1647), Hague Museum; two portraits (1651), Dresden Museum; three (1640, 1655), Brunswick Museum; four portraits, Rotterdam Museum; one (1660), Lille Museum; Charles I., Chatsworth; Prince Henry, Kedleston Hall; Duke of Buckingham, Duke of Portland, De Witt and Wife, Luton Hall; Milton, Passmore Edwards, M.P., London.—Burger, Musées, ii. 225; Kramm, iii. 798; Riegel, Beiträge, ii. 229.
CHABAL-DUSSURGEY, PIERRE
ADRIEN, born at Charlieu (Loire), in 1815.
Flower painter, chiefly in water-colour.
Painted fourteen panels of flowers and fruit
for the lobby of the Théatre Français;
and decorated a room for the Empress Eugénie.
Medals: 3d class, 1845; 2d class,
1847; L. of Honour, 1857; professor at
the Gobelins in 1850. Works: Flowers
(1842 to 1845); Crown of Flowers around
the portrait of the Duke of Orleans, Bouquet
of Camellias (1846); Springtime (1849);
Studies of Flowers (1843 to 1852); Virgin
surrounded by Flowers, Corner of a Vineyard
in Autumn (1855); Crown of Flowers,
Vase of Flowers (1861); Concordia (1878);
A Rose from my Garden (1879).
CHABRY, MARTIN LÉONCE, born
at Bordeaux, died before April 1, 1883.
Landscape painter. Medal, 3d class, 1879.
Works: Pic de Clarabide, Heights of La Vallière
(1878); In the Landes of Gascogne,
Coast of Saintonge (1879); Isolated Rock at
Vallière, In the Month of August (1880); In
the old Forest of Buch (1881); Ruins of
Thebes (1882); The Nile at Erment, Plains
of Thebes (1883).
CHACATON, JEAN NICOLAS HENRI
DE, born at Chézy (Allier), July 13, 1813.
French school; landscape painter, pupil of
Ingres, Hersent, and Marilhat. Has never
been a popular painter, and has not exhibited
in the Salon since 1857. Has travelled
in Italy, the East, and Spain, taking his
subjects from those countries. Medals: 3d
class, 1838; 2d class, 1844 and 1848. Works:
Prisoner of Chillon (1835); Porta Nuova in
Palermo; St. Rosalie's Day, Gorges of
Amalfi (1838); Turkish Bazaar in Cairo,
Arab Camp at Suez, Irregular Cavalry of
Ibrahim Pasha, Valley of Jehoshaphat (1841);
Factory in the Island of Procida (1842);
Hourbarych Street in Cairo, Arabian Fountain,
Souvenir of the Villa Borghese (1844);
Departure of a Caravan, Plane-Trees of Hippocrates,
Syrian Town (1846); Turkish
Family Travelling, Caravan Halting, Arab
Camp in the Desert, Courtyard in Granada
(1848); Mosque in Jerusalem (1849); Muezzin's
House in Gaza, Shepherds of the
Roman Campagna returning from the Fields
(1852); Arabs at a Cistern (1855); Carthusian
Convent in Syracuse, Souvenir of the
Tiber, Bull-Fight in Valencia (1857).—Larousse.
CHALDEAN SAGES, Giorgione, Vienna
Museum; canvas, H. 3 ft. 10 in. × 4 ft. 5-1/2 in.
Three astronomers, in Eastern costume, in
the shadow of a glade. Two of them, an
old man and one of middle age, stand engaged
in conversation in foreground; the
third, seated, examines the heavens and
places a compass on an angle, as if to measure
it. Said to have been finished after
Giorgione's death (1511) by Sebastian del
Piombo, but there are no signs of it. In
collection of Taddeo Contarini in 1535.—C.
& C., N. Italy, ii. 135.
CHALON, ALFRED EDWARD, born in
Geneva, Switzerland, Feb. 15, 1781, died in
London, Oct. 3, 1860. Reverses of French
Revolution drove family to England in 1789;
Alfred entered, in 1797, schools of Royal
Academy, became an A.R.A. in 1812, and
R.A. in 1816. Was for many years the
fashionable portrait painter in water-colours,
was the first to paint Queen Victoria, and
