Ford, Sharpshooters (1868); On the Road to Valmy, Target of Saint-Chaumont (1869); A Courier, Light Artillery (1874); Forge (1875); Convoy, Autumn Manœuvres (1876); A Battery (1877); Retreat from Inkermann, Winter Campaign (1878); Draught Horses, The Wounded (1880); The General Staff (1881); Forward! The Forge (1882); Washington's Tent, French Cavalry in 1670 (1883); Wellington in Spain (1884); Hollow Way, Lime Kiln (1885).
CHARTRAN, THÉOBALD, born at Besançon;
contemporary. Genre and portrait
painter, pupil of Cabanel. Won the
grand prix de Rome in 1877. Medals: 3d
class, 1877; 2d class, 1881. Works: Angelica
and Roger (1875); Girl of Argos at
Tomb of Agamemnon, Gentleman of Court
of Henry II. (1876); St. Saturnin (Church
of Champigny-sur-Marne); Martyr in Catacombs
at Rome (1877); Woman Playing
Lute (1880); The Taper (1881); Vision of
St. Francis of Assisi (1883); The Betrothal
(1885).
CHASE, HARRY, born in Woodstock, Vt.,
in 1853. Landscape and marine painter,
studied in Munich, at The Hague, and in
Paris under Soyer. Elected an A.N.A. in
1883. Studio in New York. Works: Breezy
Afternoon off the Battery—New York, T.
B. Clarke, New York; Pêcheurs Anglais,
Kullen Point—Sweden, Low Tide—Welsh
Coast (1878); Herring Fishers of Scheveningen—Holland
(1880); Outward Bound
Whaler, Dutch Boats at Anchor, Dutch
Trawlers (1881); Bringing the Fish Ashore,
Departure of a French Brig (1882); Coast
of Holland, Dredging for Scallops near New
Bedford, Summer Morning—French Coast
(1883); Near Dordrecht, Battery Park—New
York (1884); Rising Tide on Dutch Coast,
New York Harbour (1885).
CHASE, WILLIAM MERRITT, born at
Franklin, Indiana, Nov. 1, 1849. Still-life
and portrait painter; pupil of B. F. Hayes,
portrait painter in Indianapolis, of the National
Academy, and of J. O. Eaton, New
York. Studied six years from 1872 at the
Munich Academy under Wagner and Piloty,
and painted one year in Venice. Honourable
mention
in Salon, 1882.
Studio in New
York. Works:
Portraits of
Piloty's Children;
Venetian
Fish Market;
Dowager
(1875); Boy
Feeding a
Cockatoo,
Broken Jug (1877); Ready for a Ride, The
Apprentice (1878); Interior of St. Mark's—Venice,
Court Jester, Portrait of Duveneck
(1879); do. of Gen. Webb (1880); do. of
Peter Cooper (Paris Salon, 1882); Interior
of Artist's Studio (1883); The Coquette
(1884).—Am. Art Rev. (1881), 91, 135.
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CHASSÉRIAU, THÉODORE, born in Panama, Sept. 20, 1819, died in Paris, Oct. 8, 1856. History and portrait painter, pupil of Ingres, but later an imitator of Delaroche. Medals: 3d class, 1836; 2d class, 1844 and 1855; L. of Honour, 1849. Works: Return of Prodigal Son (1836); Ruth and Boaz (1837); Susanna, Venus Anadyomene (1839); Christ in Garden of Olives (1840); Andromeda (1841); Descent from Cross, Esther preparing to meet Ahasuerus, Captive Trojan Women (1842); Caliph of Constantine (1845); Sabbath in Jewish Quarter of Constantine (1848); Arab Horsemen carrying off their Dead, Desdemona, Moorish Women playing with a Gazelle (1850); Baptism of the Eunuch, St. Francis Xavier baptizing the Indians and the Japanese, mural paintings in a chapel of St. Roch, Paris (1850); Christ with Martha and Mary (1852); Woman of Mola (1850); The Tepidarium, Defense of the Gauls (1855).—Ch. Blanc, École française; Larousse.
CHASTITY, TRIUMPH OF, Luca Signorelli,
National Gallery, London; fresco,
transferred to canvas, H. 4 ft. × 4 ft. 4 in.;
signed. In foreground, Cupid on his knees
