Page:Cyclopedia of painters and paintings - Volume I.djvu/428

• parture of Fishermen (1839), Negro Dancers

at Tangiers (1859), Pilgrimage to Nôtre Dame de Boulogne (1866), Boulogne Museum; Expectation, Smugglers (1841); Benediction of the Sea (1844, 1863); Women surprised by the Tide, Talk at the Fountain, Washerwomen (1846); Well of Casbah at Tangiers (1852); Departure for Fishing, Return (1855); Halt of Caravan (1864).—Bellier de la Chavignerie, i. 380.

DELACROIX, (FERDINAND VICTOR) EUGÈNE, born at Charanton St. Maurice, near Paris, April 26, 1799, died in Paris, Aug. 13, 1863. History painter, pupil of Guérin. Exhibited in 1822 his Dante and Virgil, which won him reputation, and he might have received high academic honours if he had not, with Géricault and others, diverged from the prevalent classicism of the school of David and joined the romantic school, of which he became one of the leaders. He travelled in Spain and North Africa in 1831, and between that and 1855 executed important public commissions, decorating the Chamber of Deputies, the Library of the Luxembourg, the Church of St. Sulpice, and galleries in the Louvre and the Hôtel de Ville. L. of Honour, 1831; Officer, 1846; Commander, 1855; Member of Institute, 1857. Works: Dante and Virgil (1822), Massacre of Scio (1824), Twenty-eighth of July, 1830 (1830), Algerian Women (1834), Portrait of himself (1837), Jewish Wedding in Morocco (1841), Shipwreck of Don Juan, Louvre; Christ in Gethsemane, St. Paul, Paris; Portrait of Marshal de Tourville (1835), Battle of Taillebourg (1837), Entry of Crusaders into Constantinople (1841), Versailles Museum; Death of Sardanapalus; Death of Marino Faliero (1827), Faust and Mephistopheles, Sir Richard Wallace, London; Death of Charles the Bold (1834), Nancy Museum; Justice of Trajan (1840), Rouen Museum; Marcus Aurelius (1845), Lyons Museum; Medea (1838), Lille Museum; Head of Actæon, Melun Museum; St. George, Grenoble Museum; Two Foscari (1855), Duc d'Aumale, Chantilly; Martyrdom of St. Stephen (1853), Arras Museum; The Halt (1837), Nantes Museum; Sultan of Morocco leaving his Palace (1845), Toulouse Museum; Arab Musicians (1848), Tours Museum; Portrait of Himself (1829), Charge of Arab Cavalry (1832), Algerian Women at Home, Daniel in Lions' Den (1853), Michelangelo in his Studio (1853), Mulatto Woman, Montpellier Museum; Prisoner of Chillon (1835); Martyrdom of St. Sebastian (1836); Convulsionnaires of Tangiers (1838); Hamlet with Skull of Yorick (1839); Romeo's Farewell (1846); Christ Crucified (1847); Death of Valentine (1848); Apollo killing the Python (1849). Works in United States: Marguerite and Mephistopheles, W. Rockefeller, New York; Iconoclasts, B. Wall, Providence; Clotilda delivering the Martyrs, H. Probasco, Cincinnati; Greek Soldier, A. J. Antelo, Philadelphia; Sultan of Morocco, W. H. Vanderbilt, New York; Meeting of Ruth's Kinsman and Boaz, Lion Hunt, Capture of Götz von Berlichingen, Groom and Mare, A. E. Borie Collection, Philadelphia; The Combat, W. T. Walters, Baltimore.—Moreau, Delacroix et son Œuvre (Paris, 1873); Burty, Maitres, 51; Leclercq, Caractères, 83; Ch. Blanc, Artistes d. m. Temps, 23; Perrier, Études, 36; Chesneau, Peinture française (1883); Gaz. des B. Arts (1865), xix. 144; (1873), vii. 560; International Rev. (1880), viii. 357; Nation (1880), xxx. 388; L'Art (1882), xxviii. 61; (1883), xxxii. 76, 94; Meyer, Gesch., 201; Robaut (Chesneau), L'Œuvre complet de E. D. (Paris, 1885).

DELACROIX, HENRI EUGÈNE, born at Solesmes (Nord); contemporary. History painter, pupil of Cabanel. Medal, 3d