Reclaimed, Tessa (1884); Young Gamblers (1885). Water colour: Old Time Favourites (1883).
DIELMAN, PETRUS EMANUEL, born
in Ghent, July 29, 1800. History, genre,
and portrait painter, pupil of Ghent Academy;
then studied in France and Italy the
works of the old masters, visited Switzerland,
returned in 1831 and became in 1841
director of the art school at Herzogenbusch.
Works: Jupiter and Leda; Elopement of
Psyche; Scenes from Life of St. Augustine
(Church of Anglican Ladies, Bruges); Fish-Market
at Ghent; Return of Scheveningen
Fishermen; Fisherman's Family; portrait
of Pope Gregory XVI.—Immerzeel, i. 182.
DIELMANN, JAKOB FRIEDRICH, born
at Sachsenhausen, near Frankfort, in 1809,
died at Kronberg, in the Taunus, May 30,
1885. Genre painter, pupil of the Städel
Institute under Prestel, and in 1835-42 of
the Düsseldorf Academy; settled in Frankfort,
afterwards at Kronberg, and painted
chiefly idyllic scenes from country life, in
which the landscape is always prominent.
Works: Farm-House (1835), National Gallery,
Berlin; Hessian Village Smithy; Grandmother
and Grandchildren; Parson with
Children; Village Barber; Kirmess; Procession;
Children at Church-Door; Peasant
Girl in Doorway; Smith with Wooden Leg;
Farm-House on the Ahr; Vintage at Sachsenhausen.—Brockhaus,
v. 325; Kunst-Chronik,
xx. 589; Wolfg. Müller, Düsseldf.
K., 248; Wiegmann, 296.
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DIEPENBEECK, ABRAHAM VAN, born
at Bois-le-Duc,
baptized May
9, 1596, died in
Antwerp in 1675.
Flemish school;
history and portrait
painter, pupil
of Rubens;
was at first a
glass painter;
travelled in Italy, and in reign of Charles I.
was in England, where he was employed by
Duke of Newcastle in making designs for his
book on Horsemanship. Went to Antwerp
about 1629, admitted to guild in 1638, director
of Academy in 1641. Works: St. Norbert, Antwerp
Cathedral; Virgin with St. Ely, Church
of Carmelites, Antwerp; Ecstasy of St. Bonaventura,
Antwerp Museum; St. Francis adoring
Sacrament, Brussels Museum; Entombment,
Children's Bacchanale, Brunswick
Museum; Neptune and Amphitrite, Dresden
Gallery; Marriage of St. Catherine, Flight
of Clœlia, Berlin Museum; Allegory of Mortality,
Pietà, Vienna Museum; Abraham and
Angels, Feeding the Poor (1629), Old Pinakothek,
Munich; portrait of Young Man (1665),
do. of Young Woman, Städel
Gallery, Frankfort;
Flight of Clœlia, portraits
of Man and Woman, Louvre,
Paris; Rape of Ganymede,
Bordeaux Museum. Others
in Stockholm and Chatsworth Galleries.—Biog.
nat. de Belgique, vi. 48; Ch. Blanc,
École flamande; Cat. du Musée d'Anvers
(1874); Michiels, viii. 138; Rooses (Reber),
324; Van der Branden, 777.
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DIEPRAAM, ABRAHAM, flourished at Dordrecht, 1648-74, said to have died at Rotterdam. Dutch school; genre painter, pupil of the glass painter Willem Jansz van der Stoop, then in Rotterdam of H. M. Sorgh and, after having travelled in France, of Adriaen Brouwer, to whom his pictures are sometimes attributed. Was member of the guild at Dordrecht in 1648, and still living in 1674. Work: The Breakfast (1665), Berlin Museum.—Quellenschriften, xiv. 390.
DIERICK DE LOUVAIN. See Bouts,
Dierick.
DIES, ALBERT CHRISTOPH, born in
Hanover, in 1755, died in Vienna, Dec. 28,
1822. Landscape painter; instructed by
an obscure painter, but mostly self-taught;
went in 1775 to Mannheim, Basle, and Rome,
where he studied and copied for three years,
and remained until 1796, visiting Naples
twice. In 1796 he settled in Salzburg, and
