Bacchus, Four Quarters of the Globe, Venus and the Graces, several others, Palazzo Allegri, ib.; Frescos in Palazzi Spolvarini, Murelli, and others, ib.; do. in S. Silvestre, Venice; in Jesuits' Church, Palazzi Tron and Zenobio, ib.; do. representing Patron Saints of Trent and their Martyrdom, Trent Cathedral.—Bellier-Auvray, i. 440; D'Argenville, Abrégé, v. 271; Dussieux, Les Artistes français à l'étranger, 148, 521.
DORIGNY, MICHEL, born at Saint-Quentin
(Aisne), in 1617, died in Paris, Feb.
21, 1665. French school; history painter,
pupil of Simon Vouet, his father-in-law; received
into the Academy in 1663, adjunct
professor in 1662, professor in 1664. Works:
Flora and Zephyr, Louvre, Paris; Allegory,
Madrid Museum.—Bellier-Auvray, i. 440.
DORINDA WOUNDED, Guercino, Dresden
Gallery; canvas, H. 7 ft. 3 in. × 9 ft. 10
in. Dorinda in the arms of Linco, who shows
her wound to Silvio (Guarini's "Pastor Fido").
Painted for Alfonso de Novellara; bought in
1744 in Madrid as a Correggio. Engraved
by L. S. Lempereur.
DORNER, JOHANN JAKOB, the elder,
born at Ehrenstetten, Breisgau, in 1741, died
in Munich, May 22, 1813. German school;
history and genre painter, pupil in Freiburg
of Rösch, and from 1759 in Augsburg, of
Ignaz Bauer; visited North Italy and went
to Munich, where, in 1762, he became court
painter, and, after a visit to the Netherlands
and Paris, in 1766-68, inspector, and in 1777
director of the Gallery. Works: Female
Storekeeper (1775), Old Pinakothek, Munich;
Portrait of Artist, Augsburg Gallery;
seven genre scenes, Schleissheim Gallery.—Allgem.
d. Biogr., v. 354; Brockhaus, v. 493.
DORNER, JOHANN JAKOB, the younger,
born in Munich, July 7, 1775, died there,
Dec. 14, 1852. German school; landscape
painter, son and pupil of Johann Jakob the
elder, but formed himself chiefly through
study from nature; took Claude Lorrain and
Karel du Jardin for his models. He visited
Switzerland and France in 1801-3, and after
his return was made restorer, and in 1808
inspector of the Royal Gallery, in 1815 member
of the Hanau, in 1820 of the Vienna and
Berlin, and in 1824 of the Munich academies.
Works: Views of Landshut and Munich;
Environs of Paris; Rhine-Valley near Freiburg;
Rocky Landscape near Kochel Lake;
The Staubbach near Rütli; Waterfall over
Steep Rocks, Storm in Lech Valley, Landscape
with Mill near Pasing, View of Walchen
Lake, New Pinakothek, Munich Gallery;
thirty-six Landscapes in Schleissheim Gallery;
Wood-Path (1817), National Gallery,
Berlin.—Brockhaus, v. 493; Nagler, Mon.,
iii. 869.
DORNER, JOHANN KONRAD, born at
Egg, near Bregenz, in 1810, died in Rome
in 1866. History, genre, and portrait
painter, pupil of the Munich Academy
under Cornelius; went in 1835 to St. Petersburg,
where he painted mostly portraits, besides
altarpieces, and was made member of
the Academy; returned to Munich and went
in 1855 to Rome, where he acquired reputation
through historical compositions and
genre scenes. Works: Madonna with St.
John; another picture with Saints, Munich
Gallery.—Allgem. d. Biogr., v. 354; Brockhaus,
v. 494.
DOROTHEA. See Fornarina.
DOROTHEUS, Roman painter, 1st century
A.D. Painted for the Emperor Nero a
copy of the Venus Anadyomene of Apelles
after the original had become impaired by
time.—Pliny, xxxv. 36 [9].
DORPH, ANTON (LAURIDS JOHANNES),
born at Horsens, Jutland, Feb. 15,
1831. History, genre, and portrait painter,
pupil of Copenhagen Academy under Marstrand;
went to North Italy and Paris in
1854, where he studied for a few months
under Couture; visited Holland, France, and
Italy in 1859. Member of Copenhagen
Academy in 1871. Works: Peasant Girl
knitting (1854), Copenhagen Gallery; Christ
on the Cross (1858); Fishermen at Sorrento
(1861); Street Scene at Sorrento (1862);
Christ with Martha and Mary, St. Stephen's,
Copenhagen; Ascension, Trinity
