occasion Mattocks made his first appearance on the stage. In the same year the parishioners of Allhallows the Great and Less, Thames Street, where Boyce was born, requested him to become organist of the parish church ; he held this post until 18 May 1769, when he was dismissed, probably because his numerous occupations prevented him from attending properly to the duties of the post. In 1750 Garrick revived Dryden's 'Secular Masque' (30 Oct.), which had been originally produced with 'The Pilgrim' on 25 March 1700. For this Boyce had already written music, which had been performed at 'Hickford's Room, or the Castle Concert;' this was now heard at Drury Lane, with Beard as Momus. In the following year (19 Nov. 1751) another small work by Mendez and Boyce was brought out at Drury Lane ; this was 'The Shepherd's Lottery,' in which Beard and Mrs. Clive sang the principal parts. About this time he moved from his father's house in the city to Quality Court, Chancery Lane, where he lived with his wife until his removal to Kensington in 1758. In 1755, on the death of Dr. Greene, Boyce was nominated by the Duke of Grafton to be master of the king's band of musicians. He was not sworn in until June 1757, but he fulfilled the duties of the post from the death of Greene. In this capacity he composed a large number of odes for the king's birthday and new year's day. A complete collection of these from the year 1755 to 1779 is preserved in the Music School Collection at Oxford, besides a queen's ode (performed 6 June 1763), and two settings of 'The king shall rejoice,' the earliest of which was performed at the wedding of George III (8 Sept. 1761), and the other at St. Paul's Cathedral (22 April 1766). As conductor of the festivals of the Sons of the Clergy, another post to which he succeeded on Greene's death, Boyce wrote additional accompaniments to Purcell's great Te Deum and Jubilate, besides composing specially for these occasions two of his finest anthems. In 1758 John Travers, the organist of the Chapel Royal, died, and on 23 June Boyce was admitted to this post. In the same year he wrote music for Home's tragedy of 'Agis,' which was produced at Drury Lane 21 Feb. Boyce also wrote at different times music for Shakespeare's 'Tempest,' 'Cymbeline,' and 'Winter's Tale,' and a dirge for 'Romeo and Juliet.' His last work for the theatre was the music to Garrick's pantomime, 'Harlequin's Invasion,' which was produced at Drury Lane 31 Dec. 1759. Boyce's most important contribution to this work was the fine song 'Hearts of Oak,' a composition which almost rivals 'Rule Britannia' in vigour and popularity. This song was originally sung by Champness ; it was published in 'Thalia, a Collection of six favourite Songs (never before Publish'd) which have been occasionally Introduced in several Dramatic Performances at the Theatre Royal in Drury Lane ; the words by David Garrick, Esq., and the musick compos'd by Dr. Boyce, Dr. Arne, Mr. Smith, Mr. M. Arne, Mr. Battishill, and Mr. Barthelemon.' During the whole of his life Boyce suffered much from deafness ; even before his articles had expired this infirmity had made itself very apparent, and by the year 1758 it had increased to such an extent that he resolved to give up teaching and to retire to Kensington, and devote himself to editing the collection of church music which bears his name. The idea of publishing a work of this description occurred simultaneously to Dr. Alcock and Dr. Greene about the year 1735. The latter issued a prospectus on the subject, whereupon Dr. Alcock gave up the plan, and presented Greene with his collections ; but he did not live to begin the work in earnest, which thus devolved, by Greene's wishes, upon Boyce. The 'Cathedral Music,' the first volume of which was published in 1760, has been often reprinted, and, although at the time of its publication it brought but little beyond honour to its editor, it still remains a most valuable and important work, and a monument of Boyce's erudition and good judgment. Besides the preparation of this great work, in his latter years Boyce revised most of his earlier compositions, and published a selection of the overtures to his new-year and birthday odes, under the title of 'Eight Symphonys.' Most of his anthems were not published until after his death, when two volumes were brought out by his widow and by Dr. Philip Hayes, besides a burial service and a collection of voluntaries for the organ or harpsichord. He died of gout at Kensington 7 Feb. 1779, and was buried under the dome of St. Paul's on the 16th of the same month. His will, dated 24 June 1775, proved by his wife and daughter 20 Feb. 1779, directs that he should not be buried until seven days and seven nights after his death. By his wife Hannah he had two children : (1) Elizabeth, who was born 29 April 1749; and (2) William, born 25 March 1764. The latter, after his father's death, entered at an Oxford college, but was sent down without taking a degree. He attained some distinction as a double-bass player, and died about 1823. Two oil paintings of Boyce are known to exist. One, a full length, is in the Music School Collection at Oxford; another, a small three-quarter length of him, seated, by Sir Joshua Reynolds, is
