and Plants. Illustrated with many schemes,' 2 vols. London, 1685, fol. It is often referred to by Boerhaave and Haller, the latter of whom writes thus of the author and his work: 'Anatomen comparatam amavit, ut ipse de se fatetur; hinc magna pars operis in zootome versatur, cujus praecipuus certe auctor est; et avium pisciumque imprimis copiosissimas figuras dedit, ad Peraltianum fere morem. Ex homine icones pauciores sunt. Anatomen practicam interponit, et physiologiam, anatomen, atque pathologiam conjungit.' Collins's portrait, engraved by W. Faithorne, is prefixed to his 'Anatomy.'
[Addit. MS. 5865, f. 65; Annals of Queen Anne, ix. 414; Garth's Dispensary, canto iv.; Granger's Biog. Hist. of England (1824), v. 225; Guillim's Display of Heraldry (1724), 431; Hutchinson's Biog. Medica, i. 213; Lowndes's Bibl. Man. (Bohn), 499; Munk's College of Physicians (1878), i. 355; Notes and Queries, 2nd series, x. 42; Rees's Cyclopædia; Wood's Fasti Oxon. (Bliss), ii. 172, 221.]
COLLINS, SAMUEL (fl. 1750–1780), miniature-painter, son of a clergyman at Bristol, was originally educated as an attorney, but quitted this profession and became a miniature-painter. He settled at Bath, where he soon obtained a very large practice, and gained the reputation of one of the most perfect miniature-painters in this country. He had numerous pupils, among whom was Ozias Humphry [q. v.], to whom he eventually relinquished his practice at Bath. He then removed to Dublin and enjoyed a high reputation there. He painted both on enamel and on ivory. Portraits by him of George III and of the second Viscount Gage were exhibited at the Special Exhibition of Portrait Miniatures in 1865.
[Redgrave's Dict. of English Artists; Pasquin's History of Painting in Ireland; Cat. of Special Exhibition of Portrait Miniatures, 1865.]
COLLINS, SAMUEL (1802–1878), the bard of Hale Moss, son of a hand-loom weaver, was born on 1 Dec. 1802 at Hollinwood, near Manchester. He was put to work when very young, before he had gained more education than a knowledge of his letters. While still in his teens he became an ardent follower of Henry Hunt and Cobbett, and shared in the affair of Peterloo in 1819. Afterwards, when chartism was rife, he joined a local radical association, and gave the aid of his pen and tongue on behalf of the reform movement. He suffered for a time some obloquy by his temerity in denouncing Feargus O'Connor's land scheme. He wrote homely verses, some of them in the Lancashire dialect, which were collected in 1859 in a small volume entitled 'Miscellaneous Poems and Songs,' with a biographical notice by B. Brierley. Collins, who worked at his loom almost to the last, died at Hale Moss, Chadderton, near Manchester, on 8 July 1878.
[Biog. notice cited above; Brierley's Home Memories, 1886, p. 61; Manchester Examiner, 10 July 1878.]
COLLINS, THOMAS (fl. 1615), poet, was the author of a very rare religious poem entitled 'The Penitent Publican, his Confession of Mouth, Contrition of Heart, unfained Repentance. And feruent Prayer unto God for Mercie and Forgiuenesses,' London (by Arthur Johnson), 4to, 1610. The dedicatory epistle, dated 6 July 1610, is addressed 'To the Right Honourable, Graue and Vertuous Lady, the Lady Katherine Hastings, Countesse of Huntington,' and is signed with the author's name. The poem is written throughout in seven-line stanzas, and evinces strong religious fervour. In 1615 Collins wrote a pastoral poem named 'The Teares of Loue, or Cupid's Progresse. Together with the complaint of the sorrowfull Shepheardesse fayre (but unfortunate) Candida, deploring the death of her deare-lo'd Coravin, a late living (and an ever to be lamented) Shepheard. In a passionate pastorall Elegie. Composed by Thomas Collins,' &c. London (by George Purslowe), 1615. The poet Coravin, whose death Collins laments, has not been identified. The poem is full of conceits, but at its close Sidney, Spenser, and Drayton are eulogised, and allusion is made to Lodge. Jo. B[eaumont?] and Samuel Rowlands contributed prefatory verses. The former refers to a third poem by Collins on 'Newport's bloudy battell … with Yaxley's death,' which is not otherwise known. Rowlands calls Collins 'his affected friend.' Copies of both the known poems of Collins were in Sir Francis Freeling's library, but only unique copies of either are now believed to be extant.
[Corser's Collectanea, pt. iv. 410–14; Collier's Bibliograph. Account of English Lit. i. 146–8; Hazlitt's Handbook; Halliwell's Ancient Inventions (1854), p. 82.]
COLLINS, WILLIAM (1721–1759), poet, was born on 25 Dec. 1721 at Chichester. His father, a respectable hatter, was twice mayor of Chichester. In 1703 he married Elizabeth Martin, and was by her father of Elizabeth (b. 1704), Anne (b. 1705), and William. The son was probably sent to the prebendal school, Chichester, and was ad-
