real power, and his own portrait, now in the Bodleian Library at Oxford, is skilfully, if capriciously, executed; it shows him in a curious head-dress of an eastern character, and gives a good idea of his character. James Elsum [q. v.] wrote an epigram on it. There is an original drawing for it in the Dyce Collection at the South Kensington Museum, and Fuller himself made a small etching of it. A portrait of Fuller, drawn by G. Vertue, is in the print room at the British Museum. Among other portraits painted by Fuller were Samuel Butler, the poet, Pierce, the carver, and Ogilby, the author (these two were in the Strawberry Hill Collection, and the latter has been engraved by W. C. Edwards), Norris, the king's frame-maker (a picture much praised by Sir Peter Lely), Cleveland, the poet, Sir Kenelm Digby, and Latham, the statuary. Fuller painted five pictures on wood of some size, representing the adventures of Charles II after the battle of Worcester; these were presented to the parliament of Ireland, and subsequently were discovered in a state of neglect by Lord Clanbrassil, who had them repaired, and removed them to Tullamore Park, co. Down.
Isaac Fuller had also some skill as an etcher; he etched some plates of Tritons and mythological subjects in the style of Perrier. In 1654 he published a set of etchings entitled ‘Un libro di designare,’ which are very rare. He executed, with H. Cooke [q. v.] and others, the etchings in ‘Iconologia, or Morall Emblems,’ by Cæsar Ripa of Perugia, published by Pierce Tempest. In Dr. Thomas Fuller's [q. v.] ‘Pisgah-sight of Palestine’ (1650, bk. iv. chap. v.) there is a large folding plate of Jewish costumes, etched by Isaac Fuller. He perhaps also executed the plan of Jerusalem in the same book, on which the words ‘Fuller's Field’ occur in English. He was not connected by family with the author, and the costume of the portrait at Oxford suggests that he may have belonged to the Jewish race. Fuller died in Bloomsbury Square, London, on 17 July 1672. He left a son, who, according to Vertue, ‘principally was imployed in torch-painting, a very ingenious man, but living irregularly dyd young.’ Nothing further is known of his achievements.
[Walpole's Anecdotes of Painting (ed. Dallaway and Wornum); Vertue's MSS. (Addit. MSS. Brit. Mus. 23068, etc.); De Piles's Lives of the Painters; Dodd's manuscript History of English Engravers; Redgrave's Dict. of Artists; Bailey's Life of Thomas Fuller; Cunningham's Handbook to London; Catalogue of the Dyce Collection, South Kens. Mus.]
FULLER, JOHN (d. 1558), master of Jesus College, Cambridge, was a native of Gloucester. He was educated at All Souls' College, Oxford, where he was admitted to the B.C.L. degree in July 1533, and became a fellow in 1536. He graduated D.C.L. in January 1546, and in the same year admitted himself a member of Doctors' Commons. In 1547 he was rector of Hanwell, Middlesex, but resigned the charge in 1551, having in 1550 been appointed vicar-general or chancellor to Thirlby, bishop of Norwich. At about the same time he became vicar of Swaffham, and rector of East Dereham and North Creake in Norfolk. On Thirlby's translation to the diocese of Ely, Fuller went with him as chancellor, and on 24 Sept. 1554 was installed his proxy in Ely Cathedral. In November following he was collated prebendary of the fifth stall. As chancellor he was also examiner of heretics, and condemned several, his judgment seldom inclining to leniency. He was proctor for the clergy of the diocese in two convocations, and held other preferments, being rector of Wilbraham, Fen Ditton, and Hildersham, Cambridgeshire. He resided in Queens' College, Cambridge, and when in London had rooms in Paternoster Row. He succeeded Pierpoint as master of Jesus College, Cambridge, in February 1557. In the following May he was elected to the prebend of Chamberlainwood in St. Paul's, London. He died 30 July 1558, and was buried, according to his directions, in the choir of Jesus College, to which institution he bequeathed one-third of his property, besides founding four fellowships. One-third he left to the poor of certain parishes, and the remainder to his cousins William and Margaret. His specific legacies included 13l. 6s. 8d. to All Souls' College, and two of his best geldings to the Bishop of Ely.
[Cole MSS. vii. 110, 203; Bentham's Hist. of Ely, p. 253; Shermanni Hist. Coll. Jes. Cant., ed. Halliwell, p. 37; Cooper's Athenæ Cantabr. i. 188; Le Neve's Fasti Eccl. Angl. i. 358, ii. 375, 496; Newcourt's Repert. Eccl. Lond. i. 136; Foxe's Acts and Monuments (ed. 1847), vii. 402, viii. 378; Blomefield's Norfolk, iii. 633, vi. 225, vii. 74, x. 210; Cooper's Annals of Cambr. ii. 83; Strype's Eccl. Mem. i. pt. i. p. 544; Lansdowne MS. 980, fol. 233 b; Coote's Civilians, p. 37; Boase's Reg. of Univ. of Oxford, i. 169.]
FULLER, JOHN, M.D. (d. 1825), historian of Berwick-on-Tweed, was some years in practice as a surgeon at Ayton, Berwickshire. During that time, in 1785, he published a pamphlet of ‘New Hints relating to Persons Drowned and apparently Dead’ (London, 8vo), in which he proposed transfusion from the carotid artery of a sheep as a means of
