there’s no Heart—or anything of that sort—left in it, positively. Withers is more a child to me than you are. He attends to me much more than my own daughter. I almost wish I didn’t look so young—and all that kind of thing—and then perhaps I should be more considered."
"What would you have, mother?"
"Oh, a great deal, Edith," impatiently.
"Is there anything you want that you have not? It is your own fault if there be."
"My own fault!" beginning to whimper. "The parent I have been to you, Edith: making you a companion from your cradle! And when you neglect me, and have no more natural affection for me than if I was a stranger—not a twentieth part of the affection that you have for Florence—but I am only your mother, and should corrupt her in a day!—you reproach me with its being my own fault."
"Mother, mother, I reproach you with nothing. Why will you always dwell on this?"
"Isn’t it natural that I should dwell on this, when I am all affection and sensitiveness, and am wounded in the cruellest way, whenever you look at me?"
"I do not mean to wound you, mother. Have you no remembrance of what has been said between us? Let the Past rest."
"Yes, rest! And let gratitude to me rest; and let affection for me rest; and let me rest in my out-of-the-way room, with no society and no attention, while you find new relations to make much of, who have no earthly claim upon you! Good gracious, Edith, do you know what an elegant establishment you are at the head of?"
"Yes. Hush!"
"And that gentlemanly creature, Dombey? do you know that you are married to him, Edith, and that you have a settlement and a position, and a carriage, and I don’t know what?"
"Indeed, I know it, mother; well."
"As you would have had with that delightful good soul—what did they call him?—Granger—if he hadn’t died. And who have you to thank for all this, Edith?"
"You, mother; you."
"Then put your arms round my neck, and kiss me; and show me, Edith, that you know there never was a better mama than I have been to you. And don’t let me become a perfect fright with teasing and wearing myself at your ingratitude, or when I’m out again in society no soul will know me, not even that hateful animal, the Major."
But, sometimes, when Edith went nearer to her, and bending down her stately head, put her cold cheek to hers, the mother would draw back as if she were afraid of her, and would fall into a fit of trembling, and cry out that there was a wandering in her wits. And sometimes she would entreat her, with humility, to sit down on the chair beside her bed, and would look at her (as she sat there brooding) with a face that even the rose-coloured curtains could not make otherwise than scared and wild.
The rose-coloured curtains blushed, in course of time, on Cleopatra’s bodily recovery, and on her dress—more juvenile than ever, to repair the ravages of illness—and on the rouge, and on the teeth, and on the curls, and on the diamonds, and the short sleeves, and the whole wardrobe of
