lacks nothing but its roof, owing its preservation to its conversion into the cathedral in 597 by Gregory II., bishop of Girgenti. Both temples belong to the best period of the Doric style and are among the finest in existence. In front of the former, as in front of those of Heracles and Zeus, stood a huge altar for burnt offerings, as long as the façade of the temple itself. The cella of the temple of Heracles underwent considerable modifications in Roman times, and the discovery in it of a statue of Asclepius seems to show that the cult of this deity superseded the original one.
In the colossal temple of Zeus the huge Atlantes (figures of Atlas), 25 ft. in height, are noticeable. They seem to have stood in the intercolumniations half-way up the outside wall and to have supported the epistyle. The collapse both of this temple and of that of Heracles must be attributed to an earthquake; many fallen blocks of the former were removed in 1756 for the construction of the harbour of Porto Empedocle. The four columns erected on the site of the temple of Castor and Pollux are a modern (and incorrect) restoration in which portions of two buildings have been used. Of that of Hephaestus only two columns remain, while of that of Asclepius, a mile to the south of the town, an anta and two pillars are preserved. It was in the latter temple that the statue of the god by Myron stood; it had probably been carried off to Carthage, was given to the temple by P. Scipio Africanus from the spoils of that city and aroused the cupidity of Verres.
The other remains within the city walls are of surprisingly small importance; near the picturesque church of S. Nicolo is the so-called Oratory of Phalaris, a shrine of the 2nd century B.C., 2714 ft. long (including the porch) by 2313 ft. wide; and not far off on the east is a large private house with white tesselated pavements, probably pre-Roman in origin but slightly altered in the Roman period (R. P. Jones and E. A. Gardner in Journal of Hellenic Studies, xxvi., 1906, 207). Foundations of other buildings are to be seen in other parts of the site, but of little interest. The huge fishpond, spoken of by Diodorus as being 7 stadia in circumference (xi. 25), is to be seen at the south-west corner of the city; it is an enormous excavation in the rock with drains in its sides, at the bottom of which there is now a flourishing orange garden.
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The line of the city walls can be distinctly traced for most of the circuit, but the actual remains of them are inconsiderable. On the east and west the ravines already mentioned afforded, in the main, a sufficient protection, so that a massive wall was unnecessary, while near the south-eastern angle a breastwork was formed by the excavation of the natural rock,[2] which in later times was honeycombed with tombs. E. A. Freeman attributes the southern portion of the walls to Theron (Hist. of Sic. ii. 224), but the question depends upon the date of the temple of Heracles; and if Koldewey and Puchstein are right in dating it so early as 500 B.C., it is probable that the wall was in existence by that time. Close to this temple on the west is the site of the gate known in later times as the Porta Aurea, through which the modern road passes, so that no traces now remain.
Tombs of the Greek period have mainly been found on the west of the town, outside the probable line of the walls, between the Hypsas and a small tributary, the latter having been spanned by a bridge, now called Ponte dei Morti, of which one massive pier, 45 ft. in width, still exists. Just outside the south wall is a Roman necropolis, with massive tombs in masonry, and a Christian catacomb, and a little farther south a tomb in two stories, a mixture of Doric and Ionic architecture, belonging probably to the 2nd century B.C., though groundlessly called the Tomb of Theron. A village of the Byzantine period has been explored at Balatizzo, immediately to the south of the modern town (Notizie degli scavi, 1900, 511-520). The walls of the dwellings are entirely cut out of the natural rock.
See J. Schubring, Historische Topographie von Akragas (Leipzig, 1870); R. Koldewey and O. Puchstein, op. cit.; C. Hülsen in Pauly-Wissowa, Encyclopädie, i. 1187. (T. As.)
AGRIMONY (from the Lat. agrimonia, a transformation of ἀργεμώνη, a word of unknown etymology), a slender perennial herb (botanical name, Agrimonia Eupatoria, natural order Rosaceae), 112 to 3 ft. high, growing in hedge-banks, copses and borders of fields. The leafy stem ends in spikes of small yellow flowers. The flower-stalk becomes recurved in the fruiting stage, and the fruit bears a number of hooks which enable it to cling to rough objects, such as the coat of an animal, thus ensuring distribution of the seed. The plant is common in Britain and widely spread through the north temperate region. The underground woody stem is astringent and yields a yellow dye.
The name has been unsystematically given to several other plants; for instance: bastard, Dutch, hemp or water agrimony (Eupatorium cannabinum); noble or three-leaved agrimony (Anemone hepatica); water agrimony (Bidens); and wild agrimony (Potentilla anserina).
AGRIONIA, an ancient Greek festival, which was celebrated annually at Orchomenus in Boeotia and elsewhere, in honour of Dionysus Agrionius, by women and priests at night. The women, after playfully pretending for some time to search for the god, desisted, saying that he had hidden himself among the Muses. The tradition is that the daughters of Minyas, king of Orchomenus, having despised the rites of the god, were seized with frenzy and ate the flesh of one of their children. At this festival it was originally the custom for the priest of the god to pursue a woman of the Minyan family with a drawn sword and kill her. (Plutarch, Quaest. Rom. 102, Quaest. Graecae 38.)
AGRIPPA, a sceptical philosopher, whose date cannot be
