as the throws admit, you will carry the men to your inner table in the fewest number of throws.
Avoid carrying many men upon the trey or deuce-point in your own tables, as these men are out of play.
Whenever you have taken up two of your adversary’s men, and two or more points made in your inner table, spread your other men in the hope of making another point in your tables, and of hitting the man your adversary enters.
Always take up a man if the blot you leave in making the move can only be hit with double dice, but if you already have two of your opponent’s men in your tables it is unwise to take up a third.
In entering a man which it is to your adversary’s advantage to hit, leave the blot upon the lowest point you can, e.g. ace-point in preference to deuce-point.
When your adversary is bearing his men, and you have two men in his table, say, on his ace-point, and several men in the outer table, it is to your advantage to leave one man on the ace-point, because it prevents his bearing his men to the greatest advantage, and gives you the chance of his leaving a blot. But if you find that you can probably save the gammon by bringing both your men out of his table, do not wait for a blot. Eight points is the average throw.
The laws of backgammon (as given by Hoyle) are as follows:—
1. When a man is touched by the caster it must be played if possible; if impossible no penalty. 2. A man is not played till it is placed upon a point and quitted. 3. If a player omits a man from the board there is no penalty. 4. If he bears any number of men before he has entered a man taken up, men so borne must be entered again. 5. If he has mistaken his throw and played it, and his adversary has thrown, it is not in the choice of either of the players to alter it, unless they both agree to do so. 6. If one or both dice are "cocked," i.e. do not lie fairly and squarely on the table, a fresh throw is imperative.
Russian Backgammon varies from the above game in that the men, instead of being set as in the diagram, are entered in the same table by throws of the dice, and both players move in the same direction round to the opposite table. There are various rules for this game. By some a player is not obliged to enter all his men before he moves any; he can take up blots at any time on entering, but while he has a man up, he must enter it before entering any more or moving any of those already entered. If he cannot enter the man that is up, he loses the benefit of the throw.
A player who throws doublets must play or enter not only the number thrown, but also doublets of the number corresponding to the opposite side of the dice; thus, if he throws sixes, he must first enter or move the sixes, as the case may be, and then aces, and he also has another throw. Some rules allow him to play either doublets first, but he must always complete one set before playing the other. If a player cannot play the whole of his throw, his adversary is sometimes allowed to play the unplayed portion, in which cases the caster is sometimes allowed to come in and complete his moves, if he can, and in the event of his having thrown deuce-ace or doublets to throw again. If he throws doublets a second time, he moves and throws again, and so on. The privilege is sometimes restricted by not allowing this advantage to the first doublets thrown by each player. It is sometimes extended by allowing the thrower of the deuce-ace to choose any doublets he likes on the opposite side of the dice, and to throw again. The restriction with regard to the first doublets thrown does not apply to deuce-ace, nor does throwing it remove the restriction with regard to first doublets. A player must first be able to complete the doublets thrown. If the player cannot move the whole throw he cannot take the corresponding doublets, and he is not allowed another throw if he cannot move all the points to which he is entitled.
BACKHUYSEN, or Bakhuisen, LUDOLF (1631–1708), Dutch painter, was born at Emden, in Hanover. He was brought up as a merchant at Amsterdam, but early discovered so strong a genius for painting that he relinquished business and devoted himself to art. He studied first under Allart van Everdingen and then under Hendrik Dubbels, two eminent masters of the time, and soon became celebrated for his sea-pieces. He was an ardent student of nature, and frequently exposed himself on the sea in an open boat in order to study the effects of tempests. His compositions, which are very numerous, are nearly all variations of one subject, and in a style peculiarly his own, marked by intense realism or faithful imitation of nature. In his later years Backhuysen employed his time in etching and calligraphy. He died in Amsterdam on the 17th of November 1708.
BACKNANG, a town of Germany, in the kingdom of Württemberg, 19 m. by rail N.E. from Stuttgart. Pop. (1900) 7650. It has an interesting church, dating from the 12th century, and notable tanneries and leather factories, woollen and cloth mills. In 1325 Backnang was ceded to Württemberg by Baden. In the vicinity is the Wilhelmsheim sanatorium for consumptives.
BACKSCRATCHER, a long slender rod of wood, whalebone, tortoiseshell, horn or cane, with a carved human hand, usually of ivory, mounted at the extremity. Its name suggests the primary use of the implement, but little is known of its history, and it was unquestionably also employed as a kind of rake to keep in order the huge “heads” of powdered hair worn by ladies during a considerable portion of the 18th and the early part of the 19th centuries. The backscratcher varies in length from 12 to 20 in., and the more elaborate examples, which were occasionally hung from the waist, are silver-mounted, and in rare instances the ivory fingers bear carved rings. The hand is sometimes outstretched, and sometimes the fingers are flexed; the modelling is frequently good, the fingers delicately formed and the nails well defined. As a rule the rod is finished off with a knob. The hand was now and again replaced by a rake or a bird’s claw. The hand was indifferently dexter or sinister, but the Chinese variety usually bears a right hand. Like most of the obsolete appliances of daily life, the backscratcher, or scratch-back, as it is sometimes called, has become scarce, and it is one of the innumerable objects which attract the attention of the modern collector.
BACK'S RIVER (Thlewechodyeth, or “Great Fish”), a river in Mackenzie and Keewatin districts, Canada, rising in Sussex lake, a small body of water in 108° 20′ W. and 64° 25′ N., and flowing with a very tortuous course N.E. to an inlet of the Arctic Ocean, passing through several large lake-expansions—Pelly, Carry, MacDougall and Franklin. Like the Coppermine, the only other large river of this part of Canada, it is rendered unnavigable by a succession of rapids and rocks. It was discovered and explored by Sir George Back in 1834. Its total length is 560 m.
BACKWARDATION, or, as it is more often called for brevity, Back, a technical term employed on the London Stock Exchange to express the amount charged for the loan of stock from one account to the other, and paid to the purchaser by the seller on a bear account (see Account) in order to allow the seller to defer the delivery of the stock. The seller, having sold for delivery on a certain date, stocks or shares which probably he does not possess, in the hope that he may be able, before the day fixed for delivery, to buy them at a cheaper price and so earn a profit, finds on settling-day that the prices have not gone down according to his expectation, and therefore pays the purchaser an agreed amount of interest (backwardation) for the privilege of deferring the delivery, either in order to procure the stock, or else in the hope that there will be a shrinkage in the price which will enable him to gain a profit. (See also Stock Exchange).
BACON, FRANCIS (Baron Verulam, Viscount St Albans) (1561–1626), English philosopher, statesman and essayist, was born at York House in the Strand, London, on the 22nd of January 1560/1. He was the youngest son of Sir Nicholas Bacon (q.v.). His mother, the second wife of Sir Nicholas, was a daughter of Sir Anthony Cooke, formerly tutor to Edward VI. She was a woman of considerable culture, well skilled in the classical studies of the period, and a warm adherent of the Reformed or Puritan Church. Very little is known of Bacon’s early life and education. His health being then, as always, extremely delicate, he probably received much of his instruction at home. In April 1573 he was entered at Trinity College, Cambridge, where for three years he resided with his brother Anthony. At Cambridge he applied himself diligently to the several sciences as then taught, and came to the conclusion that the methods employed and the results attained were alike erroneous. Although he preserved a reverence for Aristotle (of whom, however, he seems to have known but little), he learned to despise the current Aristotelian philosophy. It yielded no fruit, was serviceable only for disputation, and the end it proposed to itself was a mistaken one. Philosophy must be taught its true purpose, and for this purpose a new method must be devised. With the
