at home. She stayed on at Pentlands because, she said, "They needed some one like me to help out. . . ." And to the trembling, inefficient Miss Peavey, who came and went like a frightened rabbit on errands for her, she confided her astonishment that her brother and Olivia should treat death with such indifference. They did not weep; they showed no signs of grief. She was certain that they lacked sensibility. They did not feel the tragedy. And, weeping again, she would launch into memories of the days when the boy had come as a little fellow to sit, pale and listless, on the floor of her big, empty drawing-room, turning the pages of the Doré Bible.
And to Miss Peavey she also said, "It's at times like this that one's breeding comes out. Olivia has failed for the first time. She doesn't understand the things one must do at a time like this. If she had been brought up properly, here among us. . . ."
For with Aunt Cassie death was a mechanical, formalized affair which one observed by a series of traditional gestures.
It was a remarkable bit of luck, she said, that Bishop Smallwood (Sabine's Apostle to the Genteel) was still in the neighborhood and could conduct the funeral services. It was proper that one of Pentland blood should bury a Pentland (as if no one else were quite worthy of such an honor). And she went to see the Bishop to discuss the matter of the services. She planned that immensely intricate affair, the seating of relations and connections—all the Canes and Struthers and Mannerings and Sutherlands and Pentlands—at the church. She called on Sabine to tell her that whatever her feelings about funerals might be, it was her duty to attend this one. Sabine must remember that she was back again in a world of civilized people who behaved as ladies and gentlemen. And to each caller whom she received in the darkened drawing-room, she confided the fact that Sabine must be an unfeeling, inhuman creature, because she had not even paid a visit to Pentlands.
