chaperoned by the aunt, to see a performance of "The City," little knowing that the indecorousness to be unfolded there would force them to leave before the play was over. They had gone on a Thursday evening (she could even remember the very day) and she still smiled at the memory of their belief that a girl who had spent all her life in the corridors of European hotels should not know what the play was about.
And then it had all ended by her being asked to Pentlands for a visit . . . to Pentlands, where she had come upon a world such as she had never known before, a world green and peaceful and secure, where every one was elaborately kind to her for reasons that she never learned until long afterward. They never even told her the truth about Anson's mother, the old woman who lived in solitude in the north wing. She was, they said, too ill at the moment to see any one. Pentlands, in that far-off day, had seemed to the tired, friendless girl like some vast, soft green bed where she could fling herself down and rest forever, a world where she could make friends and send down roots that would hold her secure for all time. To a hotel child Pentlands was a paradise; so when Anson Pentland asked her to marry him, she accepted him because she did not find him actually repulsive.
And now, after all those years, it was spring again . . . spring as when she had come to Pentlands for the first time, and she was thirty-nine years old and still young; only everything had changed.
Bit by bit, in the years that followed the birth of Sybil and then of Jack, the whole picture of the life at Pentlands and in the brownstone house on Beacon Street had come to assume a pattern, to take form out of the first confused and misty impressions, so that, looking back upon it, she was beginning to understand it all with the chill clarity of disillusion.
