contrived. In short, the latter incidents were emendations, and their really episodical character is easily traced by the critic. What appears first in the published book, was last in the original MS. Many of the most striking portions of the novel were interleaved in the same manner—thus giving to afterthought that air of premeditation which is so pleasing. Effect seems to follow cause in the most natural and in the most provident manner, but, in the true construction, the cause (and here we commit no bull) is absolutely brought about by effect. The many brief, and seemingly insulated chapters met with in the course of the narrative are the interposed afterthoughts in question.
.......
We have defined the word plot in a definition of our own to be sure, but in one which we do not the less consider substantially correct; and we have said that it has been a main point with Mr. Bulwer in his last novel, "Night and Morning," to work up his plot as near perfection as possible. We have asserted, too, that his design is well accomplished; but we do not the less assert that it has been conceived and executed in error.
The interest of plot, referring, as it does, to cultivated thought in the reader, and appealing to considerations analogous with those which are the essence of sculptural taste, is by no means a popular interest; although it has the peculiarity of being appreciated in its atoms by all, while in its totality of beauty it is comprehended but by the few. The pleasure which the many derive from it is disjointed, ineffective, and evanescent; and even in the case of the critical reader it is a pleasure which may be purchased too dearly.
