The Statuas enter, supposed to be before descended from Jove's Altar, and to have been prepared in the covert with the Cupids, attending their call.
"These Statuas were attired in cases of gold and silver close to their body, faces, hands, and feet; nothing seen but gold and silver, as if they had been solid images of the metal; tresses of hair, as if they had been of metal embossed, girdles and small aprons of oaken leaves, as if they likewise had been carved or moulded out of the metal; at their coming, the music changed from violins to hautboys, cornets, etc., and the air of the music was utterly turned into a soft time, with drawing notes, excellently expressing their natures, and the measure likewise was fitted unto the same, and the Statuas placed in such several postures, sometimes altogether in the centre of the dance, and sometimes in the four utmost angles, as was very graceful, besides the novelty. And so concluded the first Anti-masque.
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The second Anti-masque rush in, dance their measure, and as rudely depart; consisting of a Pedant, May-Lord, May-Lady, Servingman, Chambermaid, a Country Clown or Shepherd, Country Wench; an Host, Hostess; a He-Baboon,
