Upper Peru, more than a thousand miles from Buenos Ayres, exhorting them to welcome their deliverers. The interest is greatly enhanced by Señor Medina's industry in tracing out other works of the writers, published in other parts of South America.
The story of the introduction, expulsion, and revival of printing in Monte Video is one of the most curious—we might almost say dramatic—episodes in the history of the art. The city, which had existed nearly two hundred years without any more typographical implement than a stamping machine, was taken by an English expedition in February 1807. With the invaders came an enterprising Briton whose name is unfortunately not recorded, but who, before leaving England, had invested in a printing-press and types, and brought them with him with the view of earning an honest penny by dissipating South American darkness. He received every encouragement from the English military and naval authorities, but most probably had to train native compositors, who could not be extemporised in a city destitute of a printing-press. At all events he did not get to work till May, when the first production of his press was a proclamation, from which it appears that General Whitelock, whose expedition was to end so disastrously, at the time considered himself entitled to exercise authority over the whole of South America. And whereas it has been asserted that wherever an Englishman goes the first institution he creates is a public-house, be it noted that the next official announcement
