will come. It is the Old Slave, who can bear it no more but reveals the whole horrible plot; Iphigenîa is to be slaughtered by the priests; the marriage with Achilles was a bait for deceiving Clytemnestra.—Clytemnestra is thunderstruck, Achilles furious with rage. "He is dishonoured; he is made a fool of. What sort of man do they take him for, to use his name thus without his authority? Why could not they ask his consent? They could sacrifice a dozen girls for all he cares, and he would not have stood in the way. But now they have dishonoured him, and he will forbid the sacrifice. . . ." Clytemnestra, who has watched like a drowning woman to see which way the youth's fierce vanity would leap, throws herself at his feet in gratitude; "Shall her daughter, also, come and embrace his knees?" No; Achilles does not want any woman to kneel to him. Let the women try to change Agamemnon's mind; if they can do it, all is well. If not, Achilles will fight to the last to save the girl.
There follows the inevitable scene in which mother and daughter—the latter inarticulate with tears—convict the father and appeal to him. A fine scene it is, in which each character comes out clear, and through the still young
