Jones a Londres, which was acted at the Theatre Francais. It was also turned into a comic opera by Joseph Reed in 1769, and played at Covent Garden. But its most piquant transformation is the Comedie lyrique of Poinsinet, acted at Paris in 1765-6 to the lively music of Philidor. The famous Caillot took the part of Squire Western, who, surrounded by piqueurs, and girt with the conventional cor de chasse of the Gallic sportsman, sings the following ariette, diversified with true Fontainebleau terms of venery:—
“D’un Cerf, dix Cors, j’ai connaissance:
On l’attaque au fort, on le lance;
Tous sont prets:
Piqueurs & Valets
Suivent les pas de l’ami Jone (sic).
J’entends crier: Volcelets, Volcelets.
Aussitot j’ordonne
Que la Meute donne.
Tayaut, Tayaut, Tayaut.
Mes chiens decouples l’environnent;
Les trompes sonnent:
‘Courage, Amis: Tayaut, Tayaut.’
Quelques chiens, que l’ardeur derange,
Quittent la voye & prennent le change
Jones les rassure d’un cri:
Ourvari, ourvari.
Accoute, accoute, accoute.
Au retour nous en revoyons.
Accoute, a Mirmiraut, courons
Tout a Griffaut;
Y apres: Tayaut, Tayaut.
On reprend route,
Voila le Cerf a l’eau.
La trompe sonne,
La Meute donne,
L’echo resonne,
