write for. Jones is an excellent light comedian, with a recognised talent for eccentric parts; Brown is the leading "old man" of the establishment; Robinson is the handsome lover or "jeune premier;" and Miss Smith plays the interesting young ladies whose fortunes or misfortunes constitute the sentimental interest of every piece in which she plays. Probably one or more of these talented artists must be "exploited," and the nature of the "general idea" will depend upon the powers or peculiarities of the actor or actress who is principally entitled to consideration. The motif of the comedy having been determined upon (we will suppose that it is to arise from the unnecessary antagonism existing between the Theatre and the Church), Facile casts about for a story in which this motif can be effectually displayed. In selecting a story Facile will probably be guided by the peculiarities of the company he is writing for. Brown (the "old man") has never played an Archbishop of Canterbury, and Facile believes that such a part would afford that comedian a chance of distinguishing himself in a new line of character; so the story must be put together in such a manner as to admit of an Archbishop of Canterbury taking a prominent part in it. It has often occurred to Facile that Robinson the jeune premier, could make a great deal of the part of a professional Harlequin, who, under the influence of love or some other equally potent agency, has "taken orders" notwithstanding that, at the time of his doing so, he is under an engagement to play Harlequin in a forthcoming pantomime. So the story must admit, not only of an Archbishop, but also of a serious Harlequin; and,
