which conscious thought no longer cares to have anything to do. Wit can still further avoid offending if it disguises the faulty thinking by investing it with a semblance of logic as in the story of the fancy cake and liqueur, salmon with mayonnaise, and similar ones. But should it present the faulty thinking undisguised, the critic is sure to protest.
The Meeting of Wit and the Comic
In this case, something else comes to the aid of wit. The faulty thinking, which as a form of thinking of the unconscious, wit utilizes for its technique, appears comical to the critic, although this is not necessarily the case. The conscious giving of free play to the unconscious and to those forms of thinking which are rejected as faulty, furnishes a means for the production of comic pleasure. This can be easily understood, as a greater expenditure is surely needed for the production of the foreconscious investing energy than for the giving of free play to the unconscious. When we hear the thought which is formed like one from the unconscious we compare it to its correct form, and this results in a difference of expenditure which gives origin to comic pleasure. A witticism which makes use of such faulty thinking as its technique and therefore appears absurd can
