so very unpopular as the publishers and managers in their motor-cars have been in the habit of telling us. But exactly because we have come to a turning point in the man's career I propose to interrupt the mere catalogue of his plays and to treat his latest series rather as the proclamations of an acknowledged prophet. For the last plays, especially Man and Superman, are such that his whole position must be re-stated before attacking them seriously.
For two reasons I have called this concluding series of plays not again by the name of "The Dramatist," but by the general name of "The Philosopher." The first reason is that given above, that we have come to the time of his triumph and may therefore treat him as having gained complete possession of a pulpit of his own. But there is a second reason: that it was just about this time that he began to create not only a pulpit of his own, but a church and creed of his own. It is a very vast and universal religion; and it is not his fault that he is the only member of it. The plainer way of putting it is this: that here, in the hour of his earthly victory, there dies in him the old mere denier, the mere dynamiter of criticism. In the warmth of popularity he begins to wish to put his faith
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