Page:German Classics of The 19h and 20th C. Vol.19.djvu/299

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THE GERMAN CLASSICS

from the station, watched a train puff by in clumsy haste, counted the cars to pass the time, and looked after the man who sat perched high on the last one. But he came to a stop on the square with the lindens before one of the pretty villas that stood there, looked long into the garden and up at the windows, and finally took a notion to swing the garden-gate back and forth and make the hinges screech. Then he contemplated for a time his hand, which had be come cold and rusty, and went on, through the old square-built gate, along the harbor, and up the steep, draughty, and wet Gable Street to the house of his parents.

Closed in by the neighboring houses which its gable over topped, it stood there gray and forbidding as for these three hundred years past, and Tonio Kröger read the pious legend that was above the door in half effaced letters. Then he drew a deep breath and went in.

His heart beat fearfully, for he half expected his father might issue from one of the doors on the ground floor past which he was walking, his father in office coat and with a pen behind his ear, who would stop him and sternly call him to account for his extravagant life,—which censure he would have found quite proper. But he got past the doors unmolested. The storm door was not shut, but only pulled to, which he considered censurable, while at the same time he felt as in certain light dreams, when hindrances vanish of themselves before us and we press forward unchecked, favored by wonderful good fortune … The spacious hall, paved with large square slabs of stone, echoed to his tread. Opposite the kitchen, where all was still, the strange, clumsy, but neatly varnished partition-rooms jutted out from the wall at a considerable height; these were the servants' rooms, which could only be reached by a sort of open staircase from the hall floor. But the great ward robes and the carved chest that used to stand here were gone … The son of the house set foot upon the mighty staircase and rested his hand upon the white enameled, fretwork banister, lifting it, however, at each step and