sive being an ancient oil-painting, of which the canvas bulged forth from the frame; the subject appeared to be a ship, but was just as likely a view of the Alps. Several German prints conveyed instruction as well as delight; one represented the trial of Strafford in Westminster Hall; another, the trial of William Lord Russell at the Old Bailey. There was also a group of engraved portraits, the Royal Family of England early in the reign of Queen Victoria; and finally, "The Destruction of Nineveh," by John Martin. Along the window-sill were disposed flower-plots containing artificial plants; one or other was always being knocked down by the curtains or blinds.
Each guest having taken a quaff of ale or spirits or what was called wine, with perhaps a mouthful of more solid sustenance, was then led down into the back-kitchen to view the coffin and the corpse. I mention the coffin first, because in every one's view this was the main point of interest. Could Mrs. Peckover have buried the old woman
