his steps! his former favourites were never even named, or alluded to—his present mistress occupied all his attention.
When St. Clara described the sufferings of her country, every heart melted to compassion, or burned with indignation; but when her master, when Glenarvon played upon her harp, or sung the minstrelsy of the bards of other times, he inspired the passions which he felt, and inflamed the imagination of his hearers to deeds of madness—to acts of the most extravagant absurdity. Crowds followed upon his steps; yet it was melancholy to see them pass—so fair, so young and yet so utterly hardened and perverted. Who could behold her, and not compassionate her fate? What was to become of her when Glenarvon had ceased to love; and did he love?—Never: in the midst of conquests, his heart was desolate; in the fond embrace of mutual affection, he despised the victim of his art.
