Page:Great Men and Famous Women Volume 7.djvu/16

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ARTISTS AND AUTHORS

from, and manifestly anterior to, anything made known to us in Greece under and after that conquest. The study of Homer has been darkened and enfeebled by thrusting backward into it a vast mass of matter belonging to these later pe- riods, and even to the Roman civilization, which was different in spirit and which mtirely lost sight of the true position of Greeks and Trojans and inverted their moral as well as their martial relations. The name of Greeks is a Roman name ; the people to whom Homer has given immortal fame are Achaians, both in designation and in manners. The poet paints them at a time when the spirit of national life was rising within their borders. Its first efforts had been seen in the expeditions of Achaian natives to conquer the Asiatic or Egyptian immigrants who had, under the name of Cadmeians (etymologically, " foreigners "), founded Thebes in Bceotia, and in the voyage of the ship Argo to Colchis, which was probably the seat of a colony sprung from the Egyptian empire, and was there- fore regarded as hostile in memory of the antecedent aggressions of that empire. The expedition against Troy was the beginning of the long chain of conflicts be- tween Europe and Asia, which end with the Turkish conquests and with the re- action of the last three hundred years, and especially of the nineteenth century, against them. It represents an effort truly enormous toward attaining nationality in idea and in practice. Clearing away obstructions, of which the cause has been partially indicated, we must next observe that the text of Homer was never studied by the moderns as a whole in a searching manner until within the last two generations. From the time of Wolf there was infinite controversy about the works and the authorship, with little positive result, except the establishment of the fact that they were not written but handed down by memory, an operation aided and methodized by the high position of bards as such in Greece (more properly Achaia, and afterward Hellas), by the formation of a separate school to hand down these particular songs, and by the great institution of the Games at a variety of points in the country. At these centres there were public recitations even before the poems were composed, and the uncertainties of individual mem- ory were limited and corrected by competition carried on in a presence of a peo- ple eminently endowed with the literary faculty, and by the vast national impor- tance of handing down faithfully a record which was the chief authority touching the religion, history, political divisions, and manners of the country. Many di- versities of text arose, but there was thus a continual operation, a corrective as well as a disintegrating process.

The Germans, who had long been occupied in framing careful monographs which contracted the contents of the Homeric text on many particulars, such as the Ship, the House, and so forth, have at length supplied, in the work of Dr. E. Buchholz, a full and methodical account of the contents of the text. This work would fill in English not less than six octavo volumes.

The Greeks called the poet poietes, the " maker," and never was there such a maker as Homer. The work, not exclusively, but yet pre-eminently his, was the making of a language, a religion, and a nation. The last named of these was his dominant idea, and to it all his methods mav be referred. Of the first he may