116 ARTISTS AND AUTHORS SCHILLER* By B. L. Farjeon
(1 759-1805) It is a common belief, and a common error, that clever children seldom become illustrious, and though we have instances of youthful dullards who have ripened into fame, they are rare in comparison with those who in early youth have given some indications of future renown. Of these last Germany's favorite bard is one. Born in the little village of Marbach, in the duchy of Wurtemberg, on November 10, 1 759, he, when a child, evinced proofs of remarkable imag- inative and creative power. At as early an age as six he showed that he possessed a fearless nature and an inquiring mind. A terrific storm was raging, and his parents searched for him in vain ; the vivid lightning and the crashing thunder increased their anxiety, but they could find no trace of the child. At length, when the storm was over, he was seen to descend from the topmost branches of a great lime-tree near the house. They rushed toward him and inquired why he had selected so dangerous a refuge. " I wanted to see," he replied, with an intrepid air, " where all the fire came from." Even at this period he found his favorite reading in the prophetic books of the Old Testament, and it was probably from Ezekiel that he derived his inspiration for Franz Moor's dream in "The Robbers." His mother taught him to read, and the stories she related to him were listened to with avid- ity ; she was his closest companion and friend, and from her he inherited the gifts which made his name a household word in every home in Germany. He was brought up in a religious and scholarly household. Prayers twice a day, regular attendance at church, the study of Greek and Latin already commenced these were his principal occupations at seven years of age, when other lads were playing about the fields. From his father he also inherited the literary in- stinct. The elder Schiller, at the time his son was born, was a lieutenant in the service of the dissolute and tyrannical Duke of Wurtemberg, and was subse- quently appointed governor of the palace of Solitude. He was a struggling man, and often felt the pinch of poverty. Nine books composed his library, among them " Erkenntniss Sein Selbst " and a Wurtemberg " Hymnal." During the performance of his duties in Solitude he wrote a treatise on the cultivation of trees, which was very favorably received. Young Schiller's poetic instinct dis- played itself on his tenth New- Year, when he greeted his father in German verse, to which he attached a translation in Latin. His taste for the stage also found early vent in the construction of a mimic theatre and cardboard characters, with which he used to play till he was fourteen, when the important question of his Copyright, 1894, by Selmar Hess.
